This is the first full biography of two of Scotland's most eminent Architects, James Miller and John James Burnet. While born just three years apart into very different circumstances - Burnet was the son of a wealthy Glasgow architect and Miller a farmer's son - their careers and lives became intertwined as they competed for work and eventually the role of Scotland's leading architect. Born in 1857 and 1860 respectively, one inherited and the other established successful practices in Glasgow at the zenith of that city's wealth in the late 19th century. John James Burnet, who was educated at the Ecole des Beaux Arts in Paris, and led his profession in Glasgow in the latter years of the 19th and early years of the 20th centuries, produced many of the city's finest buildings. These include The Athenaeum on Buchanan Street; Charing Cross Mansions; numerous city-centre commercial buildings such as Waterloo Chambers and Atlantic Chambers and the Townhouses on University Avenue. After moving to London, his work included the extension of the British Museum, The Daily Telegraph Building on Fleet Street and Adelaide House by London Bridge. Burnet was knighted and awarded the RIBA's Gold Medal in 1923 and is recognized as one of Scotland's finest architects. James Miller is simply Scotland's most prolific architect. During his long career he designed The Empire Exhibition of 1901, Glasgow Royal Infirmary, Glasgow Central Station, Wemyss Bay Station, St Enoch's Underground Station, Turnberry Hotel, Peebles Hydro Hotel, Gleneagles Hotel, the interiors of the SS Lusitania and SS Aquitania, Hampden Park, Forteviot Model Village, the Institution of Civil Engineers in Westminster, numerous banks, commercial buildings and churches in Glasgow and beyond as well as schools, country houses, factories and town halls. Despite this extraordinary output and his considerable architectural contribution to Scotland's heritage, he has received relatively little acclaim, until now. This is a fascinating double biography, the story of Burnet and Miller's parallel lives and work, set against the background of the booming Empire's 'Second City'.

Design for Pediatric and Neonatal Critical Care provides an overview of the design and research issues associated with the development of environments for pediatric and neonatal intensive care. This is the first and only book dedicated to this topic and was created to support individuals interested in developing and studying critical care environments for children and their families. In addition to a detailed analysis of the literature from research and practice, the author provides a summary of the historical development of critical care for infants and children, and information regarding the role of PICUs and NICUs in the critical care system. A discussion of current codes and future trends is also provided. Design for Pediatric and Neonatal Critical Care includes essays from prominent voices in the field ranging from inspired young architects and researchers to world-renowned healthcare design and research icons. Illustrations of work that has been identified as exemplary or representative of recent directions are included, which will help those planning new or remodeled projects to identify and examine precedents. This book is intended to help designers and researchers enhance healing environments for young patients in critical care settings and provide information in support of the families and staff who provide care for these children and infants.

As a building type, art museums are unparalleled for the opportunities they provide for architectural investigation and experimentation. They are frequently key components of urban revitalization and often push the limits of building technology. Art museums are places of pleasure, education and contemplation. They are remarkable by their prominence and sheer quantity, and their lessons are useful for all architects and for all building types. This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full technical illustrations and sections the book includes the work of Tadao Ando, Zaha Hadid, Peter Cook & Colin Fournier, Renzo Piano, Yoshi Taniguchi, Herzog & de Meuron, Jean Nouvel, SANAA, Daniel Libeskind, Diller Scofidio & Renfro, Steven Holl, Coop Himmelb(l)au, Bernard Tschumi, Sauerbruch Hutton, and Shigeru Ban & Jean de Gastines. Together these diverse projects provide a catalogue of design solutions for the contemporary museum and a snapshot of current architectural thought and culture. One of few books on this subject written by an architect, Self's analysis thoroughly and critically appraises each project from multiple aspects and crucially takes the reader from concept to building. This is an essential book for any professional engaged in designing a museum.

The whole landscape of space use is undergoing a radical transformation. In the workplace a period of unprecedented change has created a mix of responses with one overriding outcome observable worldwide: the rise of distributed space. In the learning environment the social, political, economic and technological changes responsible for this shift have been further compounded by constantly developing theories of learning and teaching, and a wide acceptance of the importance of learning as the core of the community, resulting in the blending of all aspects of learning into one seamless experience. This book attempts to look at all the forces driving the provision and pedagogic performance of the many spaces, real and virtual, that now accommodate the experience of learning and provide pointers towards the creation and design of learning-centred communities. Part 1 looks at the entire learning universe as it now stands, tracks the way in which its constituent parts came to occupy their role, assesses how they have responded to a complex of drivers and gauges their success in dealing with renewed pressures to perform. It shows that what is required is innovation within the spaces and integration between them. Part 2 finds many examples of innovation in evidence across the world - in schools, the higher and further education campus and in business and cultural spaces - but an almost total absence of integration. Part 3 offers a model that redefines the learning landscape in terms of learning outcomes, mapping spatial requirements and activities into a detailed mechanism that will achieve the best outcome at the most appropriate scale. By encouraging stakeholders to creating an events-based rather than space-based identity, the book hopes to point the way to a fully-integrated learning landscape: a learning community.

The whole landscape of space use is undergoing a radical transformation. In the workplace a period of unprecedented change has created a mix of responses with one overriding outcome observable worldwide: the rise of distributed space. In the learning environment the social, political, economic and technological changes responsible for this shift have been further compounded by constantly developing theories of learning and teaching, and a wide acceptance of the importance of learning as the core of the community, resulting in the blending of all aspects of learning into one seamless experience. This book attempts to look at all the forces driving the provision and pedagogic performance of the many spaces, real and virtual, that now accommodate the experience of learning and provide pointers towards the creation and design of learning-centred communities. Part 1 looks at the entire learning universe as it now stands, tracks the way in which its constituent parts came to occupy their role, assesses how they have responded to a complex of drivers and gauges their success in dealing with renewed pressures to perform. It shows that what is required is innovation within the spaces and integration between them. Part 2 finds many examples of innovation in evidence across the world - in schools, the higher and further education campus and in business and cultural spaces - but an almost total absence of integration. Part 3 offers a model that redefines the learning landscape in terms of learning outcomes, mapping spatial requirements and activities into a detailed mechanism that will achieve the best outcome at the most appropriate scale. By encouraging stakeholders to creating an events-based rather than space-based identity, the book hopes to point the way to a fully-integrated learning landscape: a learning community.

Until his death at age 104, Oscar Niemeyer (1907-2012) was something of an unstoppable architectural force. Over seven decades of work, he designed approximately 600 buildings, transforming skylines from Bab-Ezzouar, Algeria, to his homeland masterpiece Brasilia. Niemeyer's work took the reduced forms of modernism and infused them with free-flowing grace. In place of pared-down starkness, his structures rippled with sinuous and seductive lines. In buildings such as the Niteroi Contemporary Art Museum, Edificio Copan, or the Metropolitan Cathedral in Brasilia, he brought curvaceousness to the concrete jungle. In the futuristic federal capital of Brasilia, he designed almost all public buildings, and thus became integral to the global image of Brazil. With rich illustrations documenting highlights from his prolific career, this book introduces Niemeyer's unique vision and its transformative influence on buildings of business, faith, culture, and the public imagination of Brazil. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

As the ever-changing skylines of cities all over the world show, tall buildings are an increasingly important solution to accommodating growth more sustainably in today s urban areas. Whether it is residential, a workplace or mixed use, the tower is both a statement of intent and the defining image for the new global city.

The Tall Buildings Reference Book addresses all the issues of building tall, from the procurement stage through the design and construction process to new technologies and the building s contribution to the urban habitat. A case study section highlights the latest, the most innovative, the greenest and the most inspirational tall buildings being constructed today.

A team of over fifty experts in all aspects of building tall have contributed to the making of the "Tall Buildings Reference Book," creating an unparalleled source of information and inspiration for architects, engineers and developers.

America holds more than two million inmates in its prisons and jails, and hosts more than two million daily visits to museums, figures which represent a ten-fold increase in the last twenty-five years. Corrections and Collections explores and connects these two massive expansions in our built environment. Author Joe Day shows how institutions of discipline and exhibition have replaced malls and office towers as the anchor tenants of U.S. cities. Prisons and museums, though diametrically opposed in terms of public engagement, class representation, and civic pride, are complementary structures, employing related spatial and visual tactics to secure and array problematic citizens or priceless treasures. Our recent demand for museums and prisons has encouraged architects to be innovative with their design, and experimental with their scale and distribution through our cities. Contemporary museums are the petri dishes of advanced architectural speculation; prisons remain the staging grounds for every new technology of constraint and oversight. Now that criminal and creative transgression are America's defining civic priorities, Corrections and Collections will recalibrate your assumptions about art, architecture, and urban design.

Focusing on the practical issues which need to be addressed by anyone involved in library design, here Ken Worpole offers his renowned expertise to architects, planners, library professionals, students, local government officers and members interested in creating and sustaining successful library buildings and services. Contemporary Library Architecture: A Planning and Design Guide features: a brief history of library architecture an account of some of the most distinctive new library designs of the 20th & 21st centuries an outline of the process for developing a successful brief and establishing a project management team a delineation of the commissioning process practical advice on how to deal with vital elements such as public accessibility, stock-holding, ICT, back office functions, children's services, co-location with other services such as learning centres and tourist & information services an sustainability in depth case studies from around the world, including public and academic libraries from the UK, Europe and the US full colour illustrations throughout, showing technical details and photographs. This book is the ultimate guide for anyone approaching library design.

Since 1673 when Father Jacques Marquette and Louis Jolliet portaged through the territory that is now Chicago, water transportation has been vital to the city's growth. In the early twentieth century, when Daniel Burnham put together his master plan for the design of Chicago a plan intended to create a sense of civic virtue he envisioned a grand municipal pier for public recreation near the central city. Later modified for multiple uses by the Chicago-Harbor Commission, Navy Pier opened in 1916. This glorious extension into Lake Michigan was a feat of engineering not unlike the construction of the Brooklyn Bridge, and prompted a similar fascination. In this entertaining history, abundantly illustrated with 75 photographs and 32 color plates, Douglas Bukowski traces the origins and construction of Navy Pier, its "golden era" to 1940, its uses in the World War II home front, its college campus years, and its rediscovery and redevelopment for recreational use from the 1970s to the present. Daniel Burnham's advice to Chicago to "make no little plans" is beautifully captured in this book. A publication of the Metropolitan Pier and Exposition Authority of Chicago.

One of the problems faced by heritage organizations and museums is adapting old buildings to their needs or building new ones to fit in with historic sites. How exactly do you create a visitor's centre at Stonehenge? The real difficulty lies where the budget is minimal, and the potential damage to the environment or setting enormous. Architecture in Conservation looks at the need of the heritage industry to respond sensitively to the limitations or potentials of the environment. James Strike explains the strategies for producing new development at historic sites, examining the philosophy of conservation practive and stressing the importance of taking into account the characteristics of each individual site. He explains the way in which the methods of producing good developments relate to our very perception of history, and addresses the practical problems involved in developing appropriate sites, including the current architectural interest in pastiche versus modern design. Case studies from around the world demonstrate the potential of each approach. James Strike draws on his broad experience as an architect at English Heritage to show that a sensitive approach to these issues can unlock conservation problems and open up new opportunities for architectural expansion. Architecture in conservation will be of considerable interest to site owners and architects responsible for site development, and to students of architecture, history and building practice and is intended as a handbook for those responsible for commissioning heritage work.

A good hair salon in a sense resembles a theatre, with an atmosphere that inspires the staff to create and helps clients relax. The interior design of salon is vital in communicating the brand value, for consumers are inclined to seek subtle differences between salons based on their experience there, which is affected by the environment. This book is a collection of 70 latest salon designs from all over the world, diverse in style and target effect.

Brings together research, theory and practical applications for designing coffee shops and cafes that serve as third places and enhance community connections Provides practical design guidelines, including location, accessibility, seating, lighting, sound and more Includes 8 case studies from across four different countries - Includes over 110 black and white images

This history and catalog of the movie theaters of Illinois follows their evolution from the early opera houses, to the storefront nickelodeons, to the awe-inspiring movie palaces, to the post-World War II theaters and the advent of the multiplex. Each theater has its own story, and together these stories make up a fascinating history of cinema viewing in Illinois. This richly illustrated book - the first dealing exclusively with Illinois theatres - contains nearly 3,000 descriptions of historic movie houses, from the early 1880s to 1960. The alphabetically arranged entries, which include such information as the theater's name, location, number of seats, and the dates it opened and closed, cover cities and towns from Abingdon to Zion, including Chicago and its surrounding suburbs. The book opens with a history of the movie house, beginning with silent movies shown on walls and ending with the multiplex era. It also includes a chapter on television's impact and information on renovated historic theatres in the state. Appendices include lists of Illinois-operated movie theatre circuits, theatre websites and include a bibliography.

Whatever your type of business, this practical handbook will help you to manage your premises effectively. Whether you are a tenant or an owner-occupier, it will enable you to take an informed approach to commercial property, helping you to negotiate successful transactions, deal with ongoing management issues effectively and get the most from advisers and agents. The handbook takes a practical approach using worked examples and checklists. It provides a step-by-step guide to all the stages of occupation with comprehensive coverage of all the relevant legal and technical information, including: strategic property management financial analysis and decision making negotiating strategy valuation accounting tax and business rates acquisitions purchase and lease terms rent reviews service charges insurance repairs alterations and use planning and environmental issues disposal of surplus space lease expiries and renewals compulsory purchase

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way-from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

Fifth Avenue: From Washington Square to Marcus Garvey Park presents an in-depth exploration of architecture along one of the world’s most iconic streets: New York City’s fabled Fifth Avenue. Through six fact-filled walking tours, this accessible illustrated guide takes readers along the entire length of Fifth Avenue, studying its architecture block by block, building by building, offering the chance to discover exceptional and unusual structures across Greenwich Village, Midtown, the Upper East Side, and Harlem. Heavily illustrated with more than 300 images and practical graphic maps that mark the stops along each route, Fifth Avenue spotlights hundreds of buildings, from familiar tourist destinations to lesser-known gems. Featured are, of course, major monuments including the Empire State Building, New York Public Library, Rockefeller Center, and Saint Patrick’s Cathedral; luxurious shops such as Tiffany’s, Cartier, and Bulgari; elegant hotels like the St. Regis and the Plaza; and the art treasures of Museum Mile on view at the Metropolitan Museum of Art, the Guggenheim, the Jewish Museum, and the Museum of the City of New York. Each of the walks offers a fascinating glimpse into the evolution of architectural styles, from the Beaux-Arts mansions of the turn of the twentieth century to the striking contemporary structures such as the glass flagship stores of Nike, Armani, and the towering One Vanderbilt. Highlights also include works by distinguished architects such as Richard Morris Hunt, Stanford White, and Frank Lloyd Wright and contemporary leaders like Rem Koolhaas and Bjarke Ingels. Written as both a fireside and curbside read, this new book is essential for the curious architecture lover touring the New York streets, as well as anyone looking to gain a comprehensive understanding of the historic, social, and economic forces that shaped Fifth Avenue’s growth and character.

Since its publication, the four-year study on the globalized city conducted by the philosopher Wolfgang Scheppe at the Universita Iuav de Venizia has achieved the status of being a standard reference. The intricately structured two-volume book, in which the movement patterns of migration and tourism intersect, looks at Venice as an exemplary case of urbanity under the control of globalization. By means of the documentation of Situationist derives, critical tools for data visualization and multilayered maps, the broadly conceived work permits immersing oneself in the city almost down to a microscopic layer. Thousands of photographs alternate with individual case studies on illegal immigrants as well as people on pleasure trips. One focus is on the conflicts of exclusion, which are brought about by Europe's border regimes or by the shadow economy both compelled and criminalized by European legislation. The reasons for the break-up of the metropolitan context into a split "dual city" lie in such contradictions. The publication provides a unique and comprehensive basis for the current debate on the refugee movement from the battlefields of Western alliances and the zones of the world that have been pauperized by the globalized economy.

Designing UNESCO: Art, Architecture and International Politics at Mid-Century represents the first full-length monograph on the genesis, construction and reception of the Paris headquarters of the United Nations' Educational, Scientific and Cultural Organization (UNESCO). The book traces the long and complex birth of UNESCO's permanent seat from its conception in 1950 to its inauguration in 1958, showing how its history constitutes a unique nexus of modernist practices in twentieth-century international politics, art, architecture and criticism. Drawing on a wide range of unpublished archival material and examining critical reception of the building in the local and international press, Christopher Pearson's analysis operates on formal, structural and theoretical levels, revealing many of the largely unspoken assumptions of modern architecture at mid-century and elucidating the conflicted relation between art and science in the post-war period. The volume also throws new light on many of the major architects and artists of the period, among them Breuer, Gropius, Le Corbusier and Eero Saarinen, as well as Picasso, Moore, MirA(3), Arp, Calder and Noguchi. Designing UNESCO is a compelling and original account of one of the most important, yet under-appreciated, buildings of twentieth-century modernism.

The book goes beyond the assembly line to examine the physical environment of the industrial landscape. What machines are used to make cars and computer chips? Who are the people who make the products? When did robots replace humans on the assembly line? Why are factories configured the way they are? The Factory: A Social History of Work and Technology answers these questions and more, offering readers a behind-the-scenes look into the wonders of mass production. The book traces the history of the factory from the first small cottage workshop through the Industrial Revolution to the large, clean room it is today. It also examines the people behind the machines and how their roles have been defined by the design of factory buildings. Lastly, it illustrates the broader world of industrialization in relation to the effects it has had on workers and the consumer society that feeds it. Appeals to readers interested in world history, industrial tourism, and the robotics industry Explains the significance of the factory to American history and culture Tells the story of American factory work through spaces and objects Details how factory buildings have evolved over the years

Following on from the best selling Healthy Living Centres, this new edition explores the process of planning and designing buildings for frontline medical practice. Incorporating the theory that good design means healthy living the author shows the beneficial effects that a good brief can bring to the staff, patients and visitors of health care facilities and gives a practical guide to achieving this. After reviewing the historical approach to primary health care and outlining key current and projected developments, the book goes on to reveal the network of relationships that influence the design of the new generation of frontline medical practices. Purves sets new standards and procedures for uncovering and resolving the inherent conflicts of the design process, and shows how investment in effective architecture is beneficial to all users. International case studies including examples from the US, Japan and South Africa provide technical detail and show what a good design can achieve * Comprehensive technical coverage of primary health care planning and design * Exploration of the design process, focusing on the relationship between the architectural and medical profession * Highly illustrated, including 8 colour plate sections

Building Community in Buildings takes us on a fascinating journey through workplaces large and small, old and new, traditional and contemporary, to explore the dynamic relationships between people and the structures in which they work. Noting that a child born today will spend 90 percent of his or her life inside, Jana Kemp and Ken Baker integrate insights from management and building design to reveal new understandings about workplace productivity and performance. Showcasing dozens of examples-from office buildings to libraries to hospitals-the authors highlight innovative practies that utilize space to promote creativity and collaboration, improve morale and motivation, and ensure employee health and safety. Featuring over a dozen photographs, practical recommendations, and the tools to conduct a workplace design survey in your own organization, Building Community in Buildings ultimately demonstrates that by investing in spaces that support people needs, companies will strengthen bottom-line results. Building Community in Buildings takes us on a fascinating journey through workplaces large and small, old and new, traditional and contemporary, to explore the dynamic relationships between people and the structures in which they work. Consider that in the 1950s, average North Americans spent approximately 50 percent of their time in buildings, compared to a child born today, who will spend 90 percent of his or her life inside. Clearly and increasingly, our social and cultural relationships are deeply influenced by the physical spaces in which they are created. Jana Kemp and Ken Baker integrate insights from management and building design to reveal new understandings about workplace productivity and performance. Showcasing dozens of examples-from the redesign of the Hood River Library in Oregon (with input from front-line employees) to the creation of open, naturally-lit spaces in Lockheed Building 157 (increasing employee productivity by 15%), the authors highlight innovative practices that utilize space to promote creativity and collaboration, improve morale and motivation, and ensure employee health and safety. They also explore the pros and cons of virtual workplaces, in which people are connected electronically but not physically, and trace the impact and influences of such trends as the green building movement. Featuring over a dozen photographs, practical recommendations, and the tools to conduct a workplace design survey in your own organization, Building Community in Buildings ultimately demonstrates that by investing in spaces that support people needs, companies will strengthen bottom-line results.