THIS BOOK CONTAINS THE RESULTS OF TWO INDEPENDENT ARCHAEOLOGICAL STUDIES CONDUCTED IN THE HEART OF GLASTONBURY TOWN CENTRE AT 11 HIGH STREET, NOW THE FOOTPRINT OF THE BUSY DOUBLE AWARD-WINNING GAUNTLET SHOPPING THOROUGHFARE. The studies were commissioned by the Developer and Landlord/owner Doug Hill between 2005-2007. They were request ed as a pre-condition for planning by Somerset CountyCouncil as it was considered imperative to document the history of the site, the development of which offered a unique opportunity prior to the commencement of the building works. This is a Grade 2 listed building positioned in the centre of a conservation area in the heart of Glastonbury (adjacent to the Tri - bunal, a Grade 1 Listed building) and as such is considered to be of great importance. The land at 11 High Street was stripped, mapped and the artefacts logged. The broad spectrum of finds were subsequently donated to the Somerset Museum, Taunton. THE ARCHAEOLOGICAL ANALYSIS CONTAINED IN THIS BOOK IS COMPREHENSIVE. BOTH REPORTS PRESENT DE TAILED, ACCURATELY ASSEMBLED, DOCUMENTED RECORDS, WHICH I AM SURE YOU WILL FIND FASCINATING. See our websites: DougHillBooks.com thegauntletshoppingthoroughfare.co.uk thegauntletshoppingthoroughfare.com TheGauntletShoppingArcade.co.uk TheGauntletShoppingArcade.com Also visit: thegauntletglastonbury.com glastonburyradio.com glastonburytown.co.uk

In Place of a Show is a compelling account of Western theatre buildings in the 21st century: theatres stripped of their primary purpose, lying empty, preserved as museums, or demolished. Playfully combining first-person narratives, scholarly research and visual documents, Augusto Corrieri explores the material and imaginative potentials of these places, charting interconnections between humans, birds, vegetation, and the beguiling animations of inanimate things, such as walls, curtains and seats. Across four chapters we learn of the uncanny dismantling and reconstitution of a German Baroque auditorium during the Second World War; the phantasmal remains of a demolished music hall in London's East End; a Renaissance Italian theatre, fleetingly transformed into an aviary by the appearance of a swallow; and a lavish opera house emerging from the Amazon rainforest. In these pages we are invited to discover theatres as sites of anomalous encounters and surprising coincidences: places that might reveal the performative entanglement of human and nonhuman worlds.

In some post-industrial areas, re-designing structural interiors in an attractive way is becoming increasingly important to community members, as it helps promote local pride and a higher quality of life. Design Innovations for Contemporary Interiors and Civic Art examines novel techniques in structural designs in various cultural and social scenarios. Featuring innovative application methods, emergent trends, and research on tools being utilized in the field, this publication is a pivotal reference source for designers, researchers, practitioners, and professionals interested in interior design, urban culture, and structural aesthetics.

How to Read Buildings is a practical introduction to looking at and appreciating architecture. It is a guide to reading the historical and architectural clues that are embedded in every building. Small enough to carry in your pocket and serious enough to provide real answers, this comprehensive guide: - Explores key characteristics of structures dating from every period from the ancient Greeks to the present day. - Gives expert advice on how to identify any building and put it in historical context. - Provides an accessible visual guide, using detailed engravings and text, to architectural styles and structural elements.

During Mussolini's Fascist regime (1923-43) 'colonia' - holiday centres for children - were established on the northern Italian coasts. Run by paramilitary youth organizations, they brought together modernist architecture, fresh air and discipline with the intention of converting the body and soul of Italian youth to fascist principle. The colonia were far removed from both the towns of Italy's past and from the traditional structures of family and community. They offered a dramatic daily programme of activity with marching, synchronized exercise and gymnastics, flag raising, saluting and swearing of allegiance to the regime. It was a programme that in turn inspired architectural features in the buildings - including towers, ramps and elevated platforms - all designed to dramatise the parades and presentations by the young people. Even in the context of massive public works programmes, the building of the colonia offered unprecedented opportunities for progressive architects. They became a distinctive type of fascist building that evolved under the directives of the youth organizations. Despite the spectacle of the buildings, official policy declared luxuries as anti-educational and anti-social. Accordingly only the most basic of accommodation was provided. Dormitories were intimidating, open plan and stark; each might accommodate several hundred children. Italian parents routinely admonished recalcitrant children with the threat 'ti mando in colonia!' (Behave, or I'll send you to the colonia!). For a generation of Italians the experience of fascism was a formative one, from which some never recovered.

In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatris ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatris for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatris within their original social, political, and religious milieux. It also compares the chatris to other Rajput arts to understand how arts of different media targeted specific audiences.

On October 1, 1982, The Walt Disney Company opened its EPCOT Center to the world, heralding changes that would take the Disney property in Florida from a mere theme park to a world-class resort destination. Authors Steve Alcorn and David Green were there, as employees of Disney's WED Imagineering. "Building a Better Mouse" tells the tale of the "hundreds of mostly young, mostly bright and all embarrassingly idealistic people" who worked on Epcot, and gives a unique insider's perspective on what it was like to be in the trenches as a Disney Imagineer in the early 1980s, from pixie dusting - when new employees are indoctrinated into all things Disney - through the craziness of the engineering design process, right up until the last frantic dash to opening day. It is a breathtaking, breezy, E-ticket ride of a book, required reading for both hard-core Disneyphiles and people interested in the business side of themed entertainment.

"" I have no pain now, mother dear, But, oh, I am so dry! Connect me to a brewery and leave me there to die.""
Breweries were large and striking buildings whose towering presence was often reinforced by their occupation of sites in the middle of towns. They were the flagships of a major industry and generators of some of the great business fortunes. Designing their breweries for architectural grandeur as well as for their function, brewers were well aware of the marketing value of their buildings and used them as advertisements. What is surprising is that so little attention has been paid to breweries, in contrast to other great industrial buildings such as mills and warehouses. Lavishly illustrated, "British Breweries" covers the whole of their history, from the country house brewhouses of the eighteenth century to the great breweries of Georgian and Victorian England, and to widespread disappearance in the twentieth century.

This book focuses on difficulties and opportunities in revitalization of old, derelict or abandoned buildings into a library and investigates the transformation of buildings which originally had a different purpose. The publication shows worldwide best practice examples from different types of libraries in historic environments, both urban and rural, while maintaining a focus on sustainability concerning the architecture and interior design.

In the modern age of the 4th Industrial Revolution, advancements in communication and connectivity are transforming the professional world as new technologies are being embedded into society. These innovations have triggered the development of a digitally driven world where adaptation is necessary. This is no different in the architectural field, where the changing paradigm has opened new methods and advancements that have yet to be researched. Impact of Industry 4.0 on Architecture and Cultural Heritage is a pivotal reference source that provides vital research on the application of new technological tools, such as digital modeling, within architectural design, and improves the understanding of the strategic role of Industry 4.0 as a tool to empower the role of architecture and cultural heritage in society. Moreover, the book provides insights and support concerned with advances in communication and connectivity among digital environments in different types of research and industry communities. While highlighting topics such as semantic processing, crowdsourcing, and interactive environments, this publication is ideally designed for architects, engineers, construction professionals, cultural researchers, academicians, and students.

Ranging over the entire nineteenth century, Museums in the German Art World is a highly accessible study of the political, cultural, and artistic changes that marked Germany's transition into a modern state. Sheehan is original in focusing his examination of this transition on the invention of the museum, where 'fine arts' were defined, put on display, and the control over their political and cultural importance and influence were established. This book will appeal to German historians, historians of the 19th century Europe, art historians, and anyone interested in the interplay of fine arts, culture, and politics.

The Manhattan skyline is one of the great wonders of the modern world. But how and why did it form? Much has been written about the city's architecture and its general history, but little work has explored the economic forces that created the skyline. This book chronicles the economic history of the Manhattan skyline. In the process, the book debunks some widely-held misconceptions about the city's history. Part I lays out the historical and environmental background that established Manhattan's real estate trajectory before the Skyscraper Revolution at the end of the 19th century. The book begins with Manhattan's natural and geological history and then moves on to how it influenced early land use and neighborhood formation, and how these early decisions eventually impacted the location of skyscrapers. Part II focuses specifically on the economic history of skyscrapers and the skyline, investigating the reasons for their heights, frequencies, locations, and shapes. The book discusses why skyscrapers emerged downtown and why they appeared three miles to the north in midtown, but not in between. Contrary to popular belief it was not due to the depths of Manhattan's bedrock, nor the presence of Grand Central Station. Rather midtown's emergence was a response to the economic and demographic forces that were taking place north of 14th Street after the Civil War. The book also presents the first rigorous investigation of the causes of the building boom during the Roaring Twenties. Contrary to conventional wisdom, the boom was largely a rational response to the economic growth of the nation and city. The last chapter investigates the value of Manhattan Island and the relationship between skyscrapers and land prices. Finally, an Epilogue offers policy recommendations for a resilient and robust future skyline.

The story of Britain's market halls-built to replace traditional open-air markets throughout England, Wales, and Scotland-is a tale of exuberant architecture, civic pride, and attempts at social engineering. This book is the first history of the market hall, an immensely important building type that revolutionized the way Britons obtained their consumer goods. James Schmiechen and Kenneth Carls investigate the economic, cultural, political, and social forces that led to the construction of several hundred market buildings in the two centuries after 1750. The market hall was frequently vast in scale, revolutionary in plan, and elaborately ornamented-indeed, it was often the most important architectural statement a proud town might make. Drawing on a wide range of contemporary records, the authors show how municipal authorities used market buildings to improve the supply and distribution of food, convey social ideals, control social and economic behavior, and declare a town's virtues. For the Victorians, Schmiechen and Carls argue, the enormous investment of energy, seriousness, and funding in the market hall reflected a belief that architecture was a primary agent of social reform and improvement. Generously illustrated with more than 180 drawings and photographs, this book also includes a Gazetteer with information about some 300 specific market buildings. Published with assistance from the Annie Burr Lewis Fund