Bridport is an industrial market town on the west Dorset coast which has played a pivotal role in the region's hemp and flax industry for over 700 years. The industrial heritage of this town is not widely known outside the area and very little has been published on the regional and national significance of Bridport. Hemp and flax was traditionally grown locally and used for the production of cordage, netting and sailcloth: this industry expanded from the 18th century onwards with the construction of new mills and warehouses along with the continued use of traditional rope and twine walks, creating a highly distinctive range of building types.

Exploring nursery schools and childcare facilities from an architectural perspective, this publication provides a cultural-historical account of their development, defines design tasks, and formulates quality standards for playing-learning architecture and environments. This publication explores nursery schools and childcare facilities from an architectural perspective. The aim is to provide a cultural-historical account of the development of educational buildings for children, to define design tasks, and to formulate quality standards for play-learning architecture and environments.

This book brings together concepts from the building, environmental, behavioural and health sciences to provide an interdisciplinary understanding of office and workplace design. Today, with changes in the world of work and the relentless surge in technology, offices have emerged as the repositories of organizational symbolism, denoted by the spatial design of offices, physical settings and the built environment (architecture, urban locale). Drawing on Euclidian geometry that quantifies space as the distance between two or more points, a body of knowledge on office buildings, the concept of office and office space, and the interrelationships of spatial and behavioural attributes in office design are elucidated. Building and office work-related illnesses, namely sick building syndrome and ailments arising from the indoor environment, and the menace of musculoskeletal disorders are the alarming manifestations that critically affect employee satisfaction, morale and work outcomes. With a focus on office ergonomics, the book brings the discussion on the fundamentals of work design, with emphasis on computer workstation users. Strategic guidance of lighting systems and visual performance in workplaces are directed for better application of ergonomics and improvement in office indoor environment. It discusses the profiles of bioclimatic, indoor air quality, ventilation intervention, lighting and acoustic characteristics in office buildings. Emphasis has been given to the energy performance of buildings, and contemporary perspectives of building sustainability, such as green office building assessment schemes, and national and international building-related standards and codes. Intended for students and professionals from ergonomics, architecture, interior design, as well as construction engineers, health care professionals, and office planners, the book brings a unified overview of the health, safety and environment issues associated with the design of office buildings.

Exploring the social and cultural hierarchies established in 18th-century France, this volume illustrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the 18th-century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he shows how the work of these architects was informed by considerations of symbolic space. Richard Etlin asserts the 18th-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces. He focuses on the design theory of Boullee and Durand and charts their legacy through the architecture of Paul Philippe Cret, Frank Lloyd Wright, and Louis Kahn. He defines the distinctive features of neoclassicism and outlines the new grammar for classical architecture articulated by theorists and architects such as Laugier, Leroy, and Ledoux. After discussing the 18th-century "hotel", revolutionary space, and the transformation of the image of the cemetary, Etlin examines the space of absence as embodied in commemorative architecture from Boullee and Gilly to Cret, Wright, and Terragni. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.

According to urban academic myth, the first restaurants emerged in the wake of the French Revolution. From the very beginning in the elegant salons of the latter days of the Ancien Regime, the design of restaurants has been closely related to ideas of how food should be presented and how it may be consumed in public. The appearance and atmosphere created by restaurant owners reflects culturally embedded ideals of comfort, sociability and the good life. As a product of the modern metropolis, the restaurant encapsulates and illustrates the profound change in how its patrons viewed themselves as individuals, how they used their cities and how they met friends or business partners over a meal. The architectural design of environments for the consumption of food necessarily involves an exploration and a manipulation of the human experience of space. It reflects ideas about public and private behaviour for which the restaurant offers a stage. Famous architects were commissioned to provide designs for restaurants in order to lure in an ever more demanding urban clientele. The interior designs of restaurants were often employed to present this particular aspect in consciously evoking an imagery of sophisticated modernity. This book presents the restaurant, its cultural and typological history as it evolved over time. In this unique combination it provides valuable knowledge for designers and students of design, and for everyone interested in the cultural history of the modern metropolis.

This is the first book to examine the development of the town hall during the twentieth century and the way in which these civic buildings have responded to the dramatic political, social and architectural changes which took place during the period. Following an overview of the history of the town hall as a building type, it examines the key themes, variations and lessons which emerged during the twentieth century. This is followed by 20 case studies from around the world which include plans, sections and full-colour illustrations. Each of the case studies examines the town hall's procurement, the selection of its architect and the building design, and critically analyses its success and contribution to the type's development. The case studies include: Copenhagen Town Hall, Denmark, Martin Nyrop Stockholm City Hall, Sweden, Ragnar Ostberg Hilversum Town Hall, the Netherlands, Willem M. Dudok Walthamstow Town Hall, Britain, Philip Dalton Hepworth Oslo Town Hall, Norway, Arnstein Arneberg and Magnus Poulsson Casa del Fascio, Como, Italy, Guiseppe Terragni Aarhus Town Hall, Denmark, Arne Jacobsen with Eric Moller Saynatsalo Town Hall, Finland, Alvar Aalto Kurashiki City Hall, Japan, Kenzo Tange Toronto City Hall, Canada, Viljo Revell Boston City Hall, USA, Kallmann, McKinnell and Knowles Dallas City Hall, USA, IM Pei Mississauga City Hall, Canada, Ed Jones and Michael Kirkland Borgoricco Town Hall, Italy, Aldo Rossi Reykjavik City Hall, Iceland, Studio Granda Valdelaguna Town Hall, Spain, Victor Lopez Cotelo and Carlos Puente Fernandez The Hague City Hall, the Netherlands, Richard Meier Iragna Town Hall, Switzerland, Raffaele Cavadini Murcia City Hall, Spain, Jose Rafael Moneo London City Hall, UK, Norman Foster

Meeting children as equals is not only a question of pedagogical attitude. Designing Spaces for Children shows how architecture and interior design can promote childhood development. Based on historical and current concepts of progressive education, the book sketches design principles for building daycare centers and schools that can also be transferred to other spaces, such as pediatric clinics. Rooms can invite discovery; they can promote communication and social interaction, strengthen self-confidence, and be places of retreat or landscapes for play. For years, the Berlin architectural firm baukind has been creatively balancing the strict legal requirements and architectural possibilities of architecture suitable for children-always with a view to children's needs. The book presents realized projects, such as the Kita Weltenbummler in Berlin, and aims to foster the equal involvement of children in the design of our environment.

The book takes the reader on an architectural discovery tour of Berlin. It gives an impressive insight into the latest architecture of the German capital: Distinctive buildings, urban spaces and places characterising urban everyday life in the city are presented in texts, photographs and plans. The scope includes shiny new constructions such as the Futurium or the Park am Gleisdreieck. The editors focus on major architectural and urban planning milestones of the past 13 years such as the large new construction of the Axel Springer building by OMA or the Museumsinsel. Smaller discoveries such as the Grune Haus by Simon + Brandt and hidden treasures such as the Wohnregal by FAR Frohn & Rojas in Wedding are also included. The documentation is based on about 30 selected architectural and landscape architectural projects. Interviews with protagonists of the architectural scene of Berlin allow an insider glimpse of architectural developments in the German capital.

Future Offices examines the evolving nature of the office as a spatial asset. Rapid changes in culture, technology, and society have upended longstanding notions of offices and the nature of work itself. While companies and capital around the globe have become increasingly consolidated, labour vis-à-vis technology has become increasingly decentralized. The office, traditionally a key spatial interlocutor between labour and capital is caught in an awkward position with typological considerations for architecture. What should the future office look like? What is the future role of the headquarters? What does the office’s changing role mean for urbanism? The works collected here provide frameworks for understanding the complex and multifaceted nature of contemporary work, manufacturing, and commerce, and they aspire to influence new ways of conceiving architecture at multiple scales. They speculate upon a future where offices acquire new facets as resources of space, knowledge, and production that participate in local and global economic and cultural contexts in new hybridised forms. At the heart of this is a recognition that the new ways in which companies integrate into in society should be reflected in architecture itself.

Adapting Building for Changing Uses discusses the comprehensive refurbishment of buildings to enable them to be used for purposes different to those originally intended.
For those involved in the often risky business of conversion of buildings from one type of use to another, Adapting Building for Changing Uses provides secure guidance on which uses may be best suited to a particular location. This guidance is based on a unique decision tool, the "Use Comparator", which was developed through research carried out at UCL in the mid 1990's. The "Use Comparator" compares the physical and locational characteristics of a building with the characteristics best suited to various types of use. A total of 77 targeted types of use are evaluated, in contrast to the 17 uses normally considers by regulatory planners.
Adapting Building for Changing Uses also identifies the key problems experienced by building managers involved in assembling the coalition of Producers, Investors, Marketeers, Regulators and Users, which makes the key decisions in "Adaptive Reuse". The book explores the differing perceptions and attitudes of these key decision agents to matters such as cost, value, risk and robustness, and offers advice on how to avoid the potential for project failure that these differences present.

eBook available with sample pages: 0203223179

More than any other building type in the twentieth century, the hospital was connected to transformations in the health of populations and expectations of lifespan. From the scale of public health to the level of the individual, the architecture of the modern hospital has reshaped knowledge about health and disease and perceptions of bodily integrity and security. However, the rich and genuinely global architectural history of these hospitals is poorly understood and largely forgotten. This book explores the rapid evolution of hospital design in the twentieth century, analysing the ways in which architects and other specialists reimagined the modern hospital. It examines how the vast expansion of medical institutions over the course of the century was enabled by new approaches to architectural design and it highlights the emerging political conviction that physical health would become the cornerstone of human welfare.

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.

The Access Audit Handbook is an invaluable tool for auditing the accessibility of buildings and services, and for writing reports in appropriate formats in the content of current legislation, funding requirements and best practice in building management. This book offers straightforward advice about undertaking access audits and the various report formats to best communicate recommendations. The practical guidance is supported by a range of up to date and informative case studies, and a new, authoritative worked example of a successful report based on a real-life access audit. An updated checklist for audits is included in the appendix at the back of the book. Also new to the second edition are updates to the legislation chapter - including guidance on the Equality Act, the Building Regulations Part M 2013, and BS8300 - and an additional section covering the current planning policy framework, community engagement and user involvement. Designed to complement the best-selling and recently updated Designing for Accessibility, the new Access Audit Handbook is an indispensable tool for all those involved in access reporting for buildings.

Set within the fascinating cultural and political world of Vienna from the fin-de-siecle to the present day, this book provides an insightful analysis of the city's extraordinarily rich architectural tradition. Since 1900, Vienna has produced many great architects and their work includes some of the finest masterpieces of the twentieth century, such as Otto Wagner's Stadtbahn stations, his Postsparkasse and his Majolica House, Adolf Loos's American Bar and Goldman & Salastch, the Secession building by Joseph Maria Olbrich and Josef Hoffmann's Palais Stoclet. Beautifully illustrated with paintings, drawings and photographs, the book stresses the importance of the highly polarized cultural politics that engulfed Vienna and produced much of what is modern in every field of culture and science. It shows how leading cultural figures such as Freud, Mahler, Schoenberg, Klimt and Twain encouraged a 'rebellious' architecture, which continued in later eras with the Wiener Gruppe, amongst others. The book also relates architectural history to the political economy that has shaped Vienna and highlights the relatively unknown tradition of Viennese social housing, initiated by social democratic Red Vienna in the 1920s. Today, 60% of Vienna's population lives in the most successful social housing in the world, which has proved to be an important factor in stimulating the successful economy of the country as a whole.

In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable studio space discovered 111 1st Street, a former P. Lorillard Tobacco Company warehouse. Over the next two decades, an eclectic collection of painters, sculptors, musicians, photographers, filmmakers, and writers dreamt and toiled within the building's labyrinthine halls. The local arts scene flourished, igniting hope that Jersey City would emerge as the next grassroots center of the art world. However, a rising real estate market coupled with a provincial political establishment threatened the community at 111 1st Street. The artists found themselves entangled in a long, complicated, and vicious fight for their place in the building and for the physical survival of 111 1st Street itself, a site that held so much potential, so much promise for Jersey City. Left Bank of the Hudson offers a window into the demographic, political, and socio-economic changes experienced by Jersey City during the last thirty years. Documenting the narrative of 111 1st Street as an act of cultural preservation, author David J. Goodwin's well-researched and significant contribution addresses the question of the role of artists in economically improving cities. As a Jersey City resident, Goodwin applies his knowledge of the city's rich history of political malfeasance and corruption, including how auspicious plans for a waterfront arts enclave were repeatedly bungled by a provincial-minded city administration. In writing this story, Goodwin interviewed thirteen artists and residents, two businesses, three government officials, and five non-profits, civic organizations, and community activists. The book chronologically explores the history and business of the P. Lorillard Tobacco Company, its evolution into a bustling arts community, the battle to preserve the warehouse as a historic structure, and the lessons to be drawn from the loss and ultimate demolition of the building in 2007, as well as the present state of the neighborhood. Setting the facts straight for future generations, Left Bank of the Hudson provides an illustrative lesson to government officials, scholars, students, activists, and everyday citizens attempting to navigate the "rediscovery" of American cities.

This catalogue for an exhibition at the Fondazione Cini in Venice presents stories of places and cities to the east of Italy, and highlights the tales and experiences of Italian architects and travellers. Six internationally famous Italian architects - Renzo Piano, Massimiliano and Doriana Fuksas, Archea Associati, Piuarch, Michele De Lucchi and Mario Cucinella - will showcase projects in Russia, China, Albania, Georgia and Vietnam, with the addition of contextual materials from the Fondazione Cini archives. The narrative of convergence and dialogue between Italian culture and these places emphasises the significance of the unique Italian relationship to these countries and their cultures through the centuries.

"...bombings, German sappers, restorers and rebuilders have totally wiped my modern works. Only the buildings which represent the bureaucratic side of my job as public officer forced to obey, have survived." (from a letter to B.Zevi 9/1974). The Heating plant of the railway station of Florence is a piece of a jigsaw puzzle which miraculously survived to restorers and rebuilders who could have erased any trace of it. This survived fragment, tells either the story of architecture between monumentalism, rationalism and futurism or the complex personality of its architect.

From Palace to Power: an IIlustrated history of Whitehall is the 400-year story -- in contemporary pictures, maps and photographs, as well as letters and diaries -- of the historical transformation of The Street' recognised throughout the world as a symbol of Government. The illustrations have been gathered from diverse sources: some hang as oil paintings in the corridors of power, known only to the privileged who occupy these offices. Others have been gleaned from contemporary journals, old sepia prints and postcards from the early days of the camera. Extended captions to the 120 illustrations, the 8-page coloured plate section, map endpapers -- as well as a select bibliography, chronology, list of statues in Whitehall, and index -- make this book easy to read and follow for the historian and the browser. In this new work, which has taken five years to research, Susan Foreman has created a vivid image of how the most pre-eminent street in Britain has changed, and how the political fortunes of its dramatis personae have left their mark.

Designing Schools explores the close connections between the design of school buildings and educational practices throughout the twentieth century to today. Through international cases studies that span the Americas, Europe, Africa and Australia, this volume examines historical innovations in school architecture and situates these within changing pedagogical ideas about the 'best' ways to educate children. It also investigates the challenges posed by new technologies and the digital age to the design and use of school places. Set around three interlinked themes - school buildings, school spaces and school cultures - this book argues that education is mediated or framed by the spaces in which it takes place, and that those spaces are in turn influenced by cultural, political and social concerns about teaching, learning and the child.

When architecture is the subject of an exhibition, there is almost always a dilemma: architecture can only be represented through drawings, models, and photographs; the physicality of architecture per se is missing. The abstraction of architecture for exhibition and the absence of architectural experience in architectural exhibition are in fact two sides of the same coin: The problem of the lack of an architectural reality. In this book, Yong He Chang traces the history of architectural intervention in exhibitions and answers the above questions through more than forty exhibition designs made by Chang and Atelier FCJZ. The book showcases his original approach to construction and shares his thoughts on the relationship between architecture and the timeless aspects of 'exhibition'. It also includes a discussion of a series of issues Yong He Chang and his team have encountered in designing exhibitions and installations, and the responses they came up with.

Drawing from the unique design experience at Adrian Smith + Gordon Gill Architecture (AS+GG) as architects of the next world's tallest tower and several others under construction, Supertall | Megatall: How High Can We Go? highlights the design, sustainability, innovative technology, programming, and contextualism that defines supertall and megatall towers. The book is a mixture of under construction and design-only projects divided into several chapters that are organized according to their special characteristics: Innovative Systems, Harnessing Energies, Designing an Icon, Extending Ecologies, and Achieving Megatall. Each project, completed between 2007-2020 at AS+GG, is discovered through context, program, form, research and development, and performance, highlighting the stories, challenges, and lessons learned.

When Eero Saarinen's Flight Centre for Trans World Airlines (TWA) opened at New York's JFK International Airport in 1962 it was a sensation. It represented a significant change in architectural thinking, allowing TWA to polish its image by means of a building, clearly distinguishing it from other airlines. Saarinen's striking design got much publicity throughout its operational life until closure in 2001. It was regarded an emblem of the jet-age, yet it never really suited its operational requirements. When the new B747 Jumbo Jet arrived in 1970, it already proved outdated and inefficient for the number of passengers using it. Designing TWA for the first time tells the entire story of TWA terminal at JFK. It documents its architecture in area of conflict between flight operations, design and public relations. It also investigates how the building remained an icon of jet-propelled aviation while never properly serving its purpose for just that industry. The new book features a wealth of images showing the TWA Flight Center in all its beauty, alongside many documents and plans. The concise text offers much detail, reaching far beyond previous publications on one of the world's best-known buildings.