Experimental Zone documents a remarkable experiment in spatial research at the interdisciplinary laboratory Image Knowledge Gestaltung at the Humboldt University of Berlin. Every two months, for four years, researchers reconfigured a 350-square meter workspace for forty scientists. The design-based collaborative experiment's focus was on the interrelation of space and knowledge production: What spatial qualities are required by interdisciplinary teams for their research work? With some 300 striking and straightforward graphics, Experimental Zone presents the findings of the experiment. It highlights the spatial conditions under which individual and collaborative research unfold, overlap, or merge and reveals the characteristics of an architecture that fosters interdisciplinary. The experiment's innovative interdisciplinary approach is also reflected in the book's design, with each of the five chapters and the comprehensive visual material reflecting publishing traditions in design, architecture, and the humanities.

The publication The Architecture of Deception / Confinement / Transformation accompanies the eponymously titled exhibition trilogy at BNKR - current reflections on art and architecture in Munich and showcases 18 diverse artistic standpoints at the intersection of art and architecture. Each chapter directly corresponds to the evolving history of the exhibition space, which was originally constructed as a camouflaged air-raid bunker during the Second World War, then used as a postwar internment camp, and finally transformed into its current state as a mixed-use residential and office building. The Architecture of Deception explores notions of illusion and deception, the creation of new realities, truth versus fiction; Confinement explores notions of shelters and safety, captivity and freedom, 'outside' versus 'inside'; Transformation explores notions of gentrification, decay and definition of living spaces. With contributions by the editors, David Adjaye and Nikolaus Hirsch, Isabelle Doucet, and Madeleine Freund. Artists: The Architecture of Deception: Hans Op de Beeck, Emmanuelle Laine, Bettina Pousttchi, Gregor Sailer, Cortis & Sonderegger, The Swan Collective; The Architecture of Confinement: Ramzi Ben Sliman, Mona Hatoum, Nadia Kaabi-Linke, Annika Kahrs, OEzgur Kar, Joanna Piotrovska; The Architecture of Transformation: Dana Awartani, Olivier Goethals, Eva Nielsen, Jeremy Shaw, Hannah Weinberger, Andrea Zittel.

A fascinating insight into Britain's industrial past as evidenced by its buildings, richly illustrated with intricate line drawings.Industrial Britain goes far beyond the mills and machine houses of the Industrial Revolution to give an engaging insight into Britain's industrial heritage. It looks at the power stations and monumental bridges of Britain, including the buildings and engineering projects associated with the distribution of manufactured goods - docks, canals, railways and warehouses. *The gasworks *Temples of mass production *The mill *Warehouse and manufactory *Dock and harbour buildings *Water power and water storage *Waterways: canals and rivers *The railway age *Breweries and oast houses *Markets and exchanges *The twentieth century: industry on greenfield sitesIt's a story of industrial development, but also a story of its ultimate decline. As manufacturing has been increasingly replaced by services, new uses have been found for at least some of the country's great industrial buildings. Not least as containers for art and heritage, such as the Bankside Power Station (Tate Modern) and Salts Mill. Other buildings featured are still used as originally intended today, such as Smithfield Market in London and the Shepherd Neame brewery in Faversham.Illustrated throughout with over 200 original line drawings, Industrial Britain is a celebration of industrial architecture and its enduring legacy.

A new approach to late Ottoman visual culture and its place in the world With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque-the first English-language book on the topic-UEnver Rustem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital. Rustem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom. Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.

"...bombings, German sappers, restorers and rebuilders have totally wiped my modern works. Only the buildings which represent the bureaucratic side of my job as public officer forced to obey, have survived." (from a letter to B.Zevi 9/1974). The Heating plant of the railway station of Florence is a piece of a jigsaw puzzle which miraculously survived to restorers and rebuilders who could have erased any trace of it. This survived fragment, tells either the story of architecture between monumentalism, rationalism and futurism or the complex personality of its architect.

Robert Willis' monumental architectural history of the University of Cambridge, first published in 1886 in a revised and extended edition by his nephew J. W. Clark, was hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man.' These fully illustrated volumes are here reprinted in their entirety, with a modern introduction by Professor David Watkin. Although Willis and Clark has always been recognised by those interested generally in the conservation of buildings and in the historic development of architectural style and taste, its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age.

In Bathing in the Roman World, Fikret Yegul examines the social and cultural aspects of one of the key Roman institutions. Guiding the reader through the customs, rituals, and activities associated with public bathing, Yegul traces the origins and development of baths and bathing customs and analyzes the sophisticated technology and architecture of bath complexes, which were among the most imposing of all Roman building types. He also examines the reception of bathing throughout the classical world and the transformation of bathing culture across three continents in Byzantine and Christian societies. The volume concludes with an epilogue on bathing and cleanliness in post-classical Europe, revealing the changes and continuities in culture that have made public bathing a viable phenomenon even in the modern era. Richly illustrated and written in an accessible manner, this book is geared to undergraduates for use in courses on Roman architecture, archaeology, civilization, and social and cultural history.

From New England to the Deep South, photographers Susan Daley and Steve Gross have captured more than 100 forgotten buildings along America's old auto routes. Isolated in full-color and black-and-white portraits, the roadside cafes, feed stores, grange halls, juke joints, and general stores are a poignant reminder of the ingenuity of local building practices and working-class culture during the years between the Civil War and the Great Depression. With their humble beauty and distinctive character, these once-useful structures infuse the American landscape with a strong sense of place. This collection of buildings preserves a sampling of our country's architecture heritage and encourages travelers to slow down and notice the details.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to Peterhouse and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis's monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to King's College and Eton College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to Trinity College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

Hailed as 'one of the most important contributions to the social and intellectual history of England which has ever been made by a Cambridge man', Robert Willis' monumental architectural history of the University of Cambridge is here reprinted. Its unique collection of over three hundred plans, antique and specially commissioned engravings is alone sufficient to make this an indispensable work of reference on Cambridge architecture before the onset of the modern age. This selection from the Architectural History presents in a single volume the complete text relating to St John's College and features a new introduction by David Watkin, Professor Emeritus in the History of Architecture at the Department of Art History at Cambridge University.

The task of designing a large aquarium pre sents architects with a multiplicity of challenges: the fundamental elements of interior design - light, colour, and surfaces - must be meshed with special requirements concerning building technology. This book takes a comprehensive look at the development of architecture and display methods for artificial underwater worlds. Based on analysis of more than 50 historical and contemporary buildings, the editors formulate ten parameters to serve as guidelines in the design of future buildings. The aim of this publication is to provide architects and their clients, zoologists and operators of large aquariums, with planning parameters and quality criteria to help them in designing a sustainable aquarium. This book is the sixth volume in a series of publications by the Institute for Zoo Architecture at Anhalt University of Applied Sciences in Dessau.

The patient room is the smallest cell of the hospital organism. Its layout determines the structure of the ward and is therefore a decisive factor for the entire building. Many requirements have to be met. The patient's sense of well-being can be positively influenced by the design: homely materials, an attractive view and sufficient privacy are important objectives. Equally important are the working conditions for the staff, especially short distances and an efficient care routine. Finally, even the risk of infection can be reduced by a conscientiously planned room layout. This publication provides a systematic overview of the design task patient room and shows exemplary solutions: both typologically and in selected case studies.

In this innovative volume, Jerry D. Moore discusses public architecture in the context of the cultural, political and religious life of the pre-hispanic Andes. Archaeologists have invested enormous effort in excavating and documenting prehistoric buildings, but analytical approaches to architecture remain as yet undeveloped. Architecture and Power in the Ancient Andes uses new analytical methods to approach architecture and its relationship to Andean society, exploring three themes in particular: the architecture of monuments, the architecture of ritual, and the architecture of social control. It provides both a methodology for the study of public architecture and an example of how that methodology can be applied. Jerry D. Moore's clear and richly illustrated discussion represents an original perspective on architecture and its role in ritual, ideology, and power in the ancient world.

Visiting a museum is an experience that normally sets our concentration on the artworks or on its architecture. That is correct, however there is an invisible factor called "narrative structure" that deals with the construction of different routes to walk an exhibition and to unveil the space of museum. This specific discipline is the argument of the first book in a series dedicated to theoretical research.

The combination of portrait statue, monumental support, and public lettering was considered emblematic of Roman public space even in antiquity. This book examines ancient Roman statues and their bases, tombs, dedicatory altars, and panels commemorating gifts of civic beneficence made by the Augustales, civic groups composed primarily of wealthy ex-slaves. Margaret L. Laird examines how these monuments functioned as protagonists in their built and social environments by focusing on archaeologically attested commissions made by the Augustales in Roman Italian towns. Integrating methodologies from art history, architectural history, social history, and epigraphy with archaeological and sociological theories of community, she considers how dedications and their accompanying inscriptions created webs of association and transformed places of display into sites of local history. Understanding how these objects functioned in ancient cities, the book argues, illuminates how ordinary Romans combined public lettering, honorific portraits, emperor worship, and civic philanthropy to express their communal identities.

Accessible architecture is about much more than wide doorways and low-placed light switches. Accessibility means independent and self-reliant living and mobility for people of all ages and in any situation in life. Enabling this requires a clear awareness of the related concepts and principles that need to be adopted into the planning at an early stage. This manual presents both public buildings and orientation systems in the fields of culture, transport, and education, as well as examples from the worlds of work and health. Informative essays provide an insight into the theory of signage, while selected projects are described from the perspective of Design for All. Large-scale images and drawings illustrate ten design parameters Best-of collection of the practical handbooks on accessible architecture and wayfinding Incorporate two areas of design to ease our daily life

In 2003, Columbia University began planning an expansion into neighboring Manhattanville, the site of the soon-to-open campus designed by the Renzo Piano Building Workshop and Skidmore, Owings & Merrill. The story of the project is a complex one-a university bursting at the seams, the changing imperatives of research facilities, large-scale investment in underground infrastructures, a controversial use of eminent domain, the commissioning of celebrated architects, and a remarkable campaign of community engagement all combining to reshape the public face of a venerable institution. Bringing together conversations with the architects and planners designing the Manhattanville campus, the educators who will inhabit its buildings, and essays from urban and architectural historians, this book both documents the making of Manhattanville and engages the contested history of public planning and the private university. Featuring contributions from Amale Andraos, Carol Becker, Elizabeth Diller, Steven Gregory, Maxine Griffith, Tom Jessell, Robert Kasdin, Laura Kurgan, Reinhold Martin, Lois Mazzitelli, Philip Palmgren, Charles Renfro, Marilyn Taylor, and Anthony Vaccione.