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Books > Arts & Architecture > Architecture > Public buildings: civic, commercial, industrial, etc > General
According to urban academic myth, the first restaurants emerged in the wake of the French Revolution. From the very beginning in the elegant salons of the latter days of the Ancien Regime, the design of restaurants has been closely related to ideas of how food should be presented and how it may be consumed in public. The appearance and atmosphere created by restaurant owners reflects culturally embedded ideals of comfort, sociability and the good life. As a product of the modern metropolis, the restaurant encapsulates and illustrates the profound change in how its patrons viewed themselves as individuals, how they used their cities and how they met friends or business partners over a meal. The architectural design of environments for the consumption of food necessarily involves an exploration and a manipulation of the human experience of space. It reflects ideas about public and private behaviour for which the restaurant offers a stage. Famous architects were commissioned to provide designs for restaurants in order to lure in an ever more demanding urban clientele. The interior designs of restaurants were often employed to present this particular aspect in consciously evoking an imagery of sophisticated modernity. This book presents the restaurant, its cultural and typological history as it evolved over time. In this unique combination it provides valuable knowledge for designers and students of design, and for everyone interested in the cultural history of the modern metropolis.
This is the standard design guide on schools architecture,
providing vital information on school architecture. Acoustics, impact damage, the functional differentiation of
spaces such as classrooms, music rooms, craft activities and
gymnasium, within a single institution are all dealt with. More
esoteric factors such as the effects on behaviour of colour, light,
surface texture and imagery are considered in addition to the more
practical aspects of designing for comfort and health.
The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do "something big." Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo-Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia's Towers in Watts is a much anticipated revisitation of the man and his towers. In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man. Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within which the towers and their maker can be understood, Sabato Rodia's Towers in Watts compiles essays from twenty authors, offering perspectives from the arts, the communities involved in the preservation and interpretation of the towers, and the academy. Most of the contributions originated at two interdisciplinary conferences held in Los Angeles and in Italy: "Art & Migration: Sabato Rodia's Towers in Watts, Los Angeles" and "The Watts Towers Common Ground Initiative: Art, Migrations, Development." The Watts Towers are wondrous objects of art and architecture as well as the expression and embodiment of the resolve of a singular artistic genius to do something great. But they also recount the heroic civic efforts (art and social action) to save them, both of which continue to this day to evoke awe and inspiration. Sabato Rodia's Towers in Watts presents a well-rounded tribute to one man's tenacious labor of love. A portion of royalties from this book will go to support the work of the Watts Towers Arts Center.
More than any other building type in the twentieth century, the hospital was connected to transformations in the health of populations and expectations of lifespan. From the scale of public health to the level of the individual, the architecture of the modern hospital has reshaped knowledge about health and disease and perceptions of bodily integrity and security. However, the rich and genuinely global architectural history of these hospitals is poorly understood and largely forgotten. This book explores the rapid evolution of hospital design in the twentieth century, analysing the ways in which architects and other specialists reimagined the modern hospital. It examines how the vast expansion of medical institutions over the course of the century was enabled by new approaches to architectural design and it highlights the emerging political conviction that physical health would become the cornerstone of human welfare.
With its dignified courthouse set among shade trees and lawns dotted with monuments to prominent citizens and fallen veterans, the courthouse square remains the civic center in a majority of the county seats of Texas. Yet the squares themselves vary in form and layout, reflecting the different town-planning traditions that settlers brought from Europe, Mexico, and the United States. In fact, one way to trace settlement patterns and ethnic dispersion in Texas is by mapping the different types of courthouse squares. This book offers the first complete inventory of Texas courthouse squares, drawn from extensive archival research and site visits to 139 of the 254 county seats. Robert Veselka classifies every existing plan by type and origin, including patterns and variants not previously identified. He also explores the social and symbolic functions of these plans as he discusses the historical and modern uses of the squares. He draws interesting new conclusions about why the courthouse square remains the hub of commercial and civic activity in the smaller county seats, when it has lost its prominence in others.
The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.
Exploring the social and cultural hierarchies established in 18th-century France, this volume illustrates how the conceptual basis of the modern house and the physical layout of the modern city emerged from debates among theoretically innovative French architects of the 18th-century. Examining a broad range of topics from architecture and urbanism to gardening and funerary monuments, he shows how the work of these architects was informed by considerations of symbolic space. Richard Etlin asserts the 18th-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces. He focuses on the design theory of Boullee and Durand and charts their legacy through the architecture of Paul Philippe Cret, Frank Lloyd Wright, and Louis Kahn. He defines the distinctive features of neoclassicism and outlines the new grammar for classical architecture articulated by theorists and architects such as Laugier, Leroy, and Ledoux. After discussing the 18th-century "hotel", revolutionary space, and the transformation of the image of the cemetary, Etlin examines the space of absence as embodied in commemorative architecture from Boullee and Gilly to Cret, Wright, and Terragni. This book provides an accessible introduction to a century of architecture that transformed the classical forms of the Renaissance and Baroque periods into building types still familiar today.
Essential information for the design of healthcare facilities
DESIGN and PLANNING of Research and Clinical LABORATORY FACILITIES In this primer/professional reference, Leonard Mayer demystifies one of the most complex architectural specialties. An architect with more than thirty-three years' experience as a master planner and programmer of laboratories and clinical facilities, Mr. Mayer offers a comprehensive overview of the fundamental issues related to laboratory planning and design. He also provides designers with a clear and rational framework through which to approach this highly challenging and rewarding design specialty. A superb learning tool for students and professionals just getting started in lab design and a valuable one-volume reference for the experienced professional, Design and Planning of Research and Clinical Laboratory Facilities features:
Research and clinical laboratory facilities are, perhaps, the most complex structures to plan and design. Intimidated by a vast and seemingly impenetrable body of codes, regulations, and design criteria pertaining to lab design and construction, many architects, unfortunately, choose to avoid what can be one of the most profitable and professionally rewarding areas of specialization. Written by an architect with more than thirty-three years of experience as a master planner and programmer of laboratories and clinical facilities, this book demystifies the process of laboratory planning and design. It provides a comprehensive overview of the fundamental issues related to laboratory design and offers readers detailed, step-by-step guidance through the complex maze of design specifications and codes, standards, and official guidelines that must be addressed during the programming, planning, design, and construction process. Focusing mainly on laboratory programming, planning, and design criteria for "wet" laboratory environments, Leonard Mayer provides examples from numerous master plans, facility programs, functional programs and requirements programs applicable to a wide variety of scientific and medical disciplines, and related facilities. Related functions and activities include administrative offices, computer centers, core service and support, building services facilities, and more. He presents new and updated design criteria based on recent laws and regulations and supplies readers with comprehensive lists of relevant codes, regulations, standards, guidelines, and architectural, structural, mechanical, electrical, and plumbing criteria. Design and Planning of Research and Clinical Laboratory Facilities is an excellent primer for architecture students and newcomers to the field, as well as an indispensable single-volume reference for experienced professionals. It is also an invaluable resource for researchers and investigators, facility planners and managers, plant engineers, and all others involved with the design, construction, maintenance, and administration of laboratory facilities.
Identifying anticipated future healthcare needs and planning how to
meet them is an ongoing challenge. Health and care planners,
together with architects an designers, need to ensure that what
they plan today will not be redundant in the near future. This book
examines the key issues which provides must consider in
accommodating health and care needs into the next century.
"Futurecare" provides a clear insight for all those concerned in
the development of health and care buildings and environments, and
examines the core issues which are driving change." Futurecare" illustrates a wide range of important issues
including healthcare reform and change, community care and
consumer-focused design. It describes the origins of health and
care facility planning and examines the influences which will shape
future directions. Changes in the way health care is - and will be
- delivered are considered, with chapters concentrating on the
future care of our ageing population. Illustrated with photographic
examples of assisted living programmes and long-term care
residential development designs, this innovative text offers
guidance for all those involved in the process of planning health
and care environments. Key features are:
The new education centre of Advan FC on the island of Madagascar is a prime example of a bottom-up development-aid project based on pragmatism and with the goal of self-empowerment. When Viktor Banziger, who runs a bar in the heart of Zurich, visited Madagascar as a tourist in 2015, he was struck by the severe poverty and difficult living conditions of the local population and decided to act. In close collaboration with Zurich-based architect Nele Dechmann and the president of Advan FC, Titus Solohery Andriamananjara, the project for a new football ground and surrounding buildings was developed. The complex, which is soundly based on local building knowledge and construction methods, gives local children the opportunity to develop their football skills and, more importantly, to receive minimal reading and writing lessons after football training and to have meals together. The remote location in Madagascar's mountains and the tight budget suggested a simple typology that conveys a common architectural language despite the different uses of individual buildings. A key part of the entire concept is a simple manual for the actual construction that leaves many decisions and responsibilities to the local community. This book tells the story of an extraordinary participative undertaking, which very likely will never be completed entirely, of people originating from deeply differing cultural and socio-economic backgrounds. It introduces a model of potentially universal usage anywhere in the world. And it documents the architecture of Advan FC's education center and its construction process in rich detail through photographs and plans.
The book is not a typical guidebook, nor a generic history tale and not even a disguised autobiography. It is a listing of select pairs of buildings that each articulates a formal and abstract concept that is part of the culture of architecture, spelled with a capital a. The main idea of the book is to hide the bitter pill of academic formal analysis in a dollop of sugary personal anecdotes and humour. Hopefully, this will be creating unexpected juxtapositions that might elicit shock and new perceptions, cancelling the sleepy accepted dogma we all live under. The essays will be paring the famous and the infamous, the profound and the absurd, the beloved and the forgotten, the monstrous and the miniscule.
In 2003, the Sion-born architect Alain Wolff founded his architectural office in Lausanne. Since then, a number of remarkable buildings have been produced - mainly in rural areas. For instance the Ecole de la Verrerie is carefully integrated into the surroundings and impresses with its materialisation in wood and concrete. The arrangement of the classrooms and sports hall resembles a well-balanced organism. Text in English, German and French.
When Antje Freiesleben and Johannes Modersohn opened their own Berlin-based firm Modersohn & Freiesleben Architekten in 1994, the city, which had been divided until 1989, needed to be repaired and re-united. The Potsdamer Platz train station and the office block in the Beisheim Centre in Ebertstrasse, close to this central and now revitalised location, are two significant projects that were designed by the firm in the prevalent spirit of urban renewal of those years. After the millennium, the architects further honed their approach: whether in the city or the countryside, Modersohn & Freiesleben consistently develop the character of their projects in terms of the site, the materials, the construction, and the lives of their clients. Their deliberate engagement with the given environment while simultaneously aiming at an inventive individuality has created an architecture that ensures their houses are functional objects that combine sustainability with aesthetics. This new monograph features 12 built houses alongside other projects from the last two decades. They are located in Berlin, Brandenburg, Sweden, and Canada. Text in English and German.
Designing Schools explores the close connections between the design of school buildings and educational practices throughout the twentieth century to today. Through international cases studies that span the Americas, Europe, Africa and Australia, this volume examines historical innovations in school architecture and situates these within changing pedagogical ideas about the 'best' ways to educate children. It also investigates the challenges posed by new technologies and the digital age to the design and use of school places. Set around three interlinked themes - school buildings, school spaces and school cultures - this book argues that education is mediated or framed by the spaces in which it takes place, and that those spaces are in turn influenced by cultural, political and social concerns about teaching, learning and the child.
This book provides a timely review of the contemporary interpretation of the 'comprehensive health centre', a building type that was originally advocated by health reformers in the UK in the first half of the twentieth century. The book discusses the development of this idea, the failure under the NHS to apply the idea in practice in the second half of the century and the recent emergence, in all four regions of the UK, of comprehensive health centres providing a wide range of health and social services, often linked to other community facilities. A review of the latest developments in comprehensive health centre design forms the core of the book in the form of detailed case studies of ten exemplary recent projects. Generously illustrated in full colour the case studies include plans, diagrams, photographs and analytical text, providing the reader with detailed information about a range of design approaches. Following devolution, NHS health policies in England, Scotland, Northern Ireland and Wales have begun to diverge and the role of the comprehensive health centre in the current health service of each country is assessed. Aimed at professionals, healthcare facilities providers and policy makers, the book also considers the opportunities for and obstacles facing the further development of the comprehensive health centre as an integral part of the infrastructure of the NHS in the future.
When Eero Saarinen's Flight Centre for Trans World Airlines (TWA) opened at New York's JFK International Airport in 1962 it was a sensation. It represented a significant change in architectural thinking, allowing TWA to polish its image by means of a building, clearly distinguishing it from other airlines. Saarinen's striking design got much publicity throughout its operational life until closure in 2001. It was regarded an emblem of the jet-age, yet it never really suited its operational requirements. When the new B747 Jumbo Jet arrived in 1970, it already proved outdated and inefficient for the number of passengers using it. Designing TWA for the first time tells the entire story of TWA terminal at JFK. It documents its architecture in area of conflict between flight operations, design and public relations. It also investigates how the building remained an icon of jet-propelled aviation while never properly serving its purpose for just that industry. The new book features a wealth of images showing the TWA Flight Center in all its beauty, alongside many documents and plans. The concise text offers much detail, reaching far beyond previous publications on one of the world's best-known buildings.
Following her success with Lost Charleston, local author and city tour guide Leigh Jones Handal brings a fresh approach to one of the key titles in Pavilion Books’ trademark series. Charleston, South Carolina is one of the most popular East Coast tourist destinations. The flashpoint of the Civil War, what remains of Fort Sumter in Charleston is still a much-visited attraction, and despite bombardment by the Federal Navy, earthquakes and many hurricanes, the South Carolina city has retained its 19th-century charm. City guide Leigh Jones Handal tells the story of the Charleston she loves through archive photos matched with their modern viewpoint, including the Jenkins Orphanage whose band were the likely originators of the Charleston dance. There are vintage photos of the great plantation houses, plus the grand buildings on Meeting Street, and the soaring spires of Charleston’s many churches. Downtown many of the classic mansions, such as the Miles Brewton House, have been retained, along with the Market Hall and the Customs House, and though the trolleys no longer run along Broad Street, it is still recognizable from a century before. Leigh Jones Handal has uncovered a treasury of vintages images which have been matched with modern photos to show new aspects of this enduringly fascinating city.
Kirchengast betrachtet in seinem Buch drei Projekte mit modellhaftem Charakter: Max Dudler, Franz Riepl und Stephen Sergison demonstrieren auf den Massstabsebenen Dorf, Siedlung und Stadt ein analoges Weiterbauen. Mit ihrer elementaren "Gebautheit", guten Proportionen und dem eleganten Zusammenspiel der Volumina im stadtischen Raum verkoerpern sie eine Dauerhaftigkeit ohne Alluren und modische Zutaten, die zum sinnfalligen wie selbstverstandlichen Hintergrund des alltaglichen Lebens wird. Sie geben dabei nicht nur auf die drangende Frage der OEkologie unseres Zusammenlebens Antwort, sondern liefern einen Ankerpunkt in unserer heterogenen Gestaltungskultur. Fotos von Helene Binet, David Schreyer und Stefan Muller sowie historische Illustrationen begleiten das Pladoyer fur die gekonnte Architektur der Mitte. |
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