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Books > Arts & Architecture > Architecture > Public buildings: civic, commercial, industrial, etc > General
In 1922 the Fascist 'March on Rome' brought Benito Mussolini to power. He promised Italians that his fascist revolution would unite them as never before and make Italy a strong and respected nation internationally. In the next two decades, Mussolini set about rebuilding the city of Rome as the site and symbol of the new fascist Italy. Through an ambitious program of demolition and construction he sought to make Rome a modern capital of a nation and an empire worthy of Rome's imperial past. Building the new Rome put people to work, 'liberated' ancient monuments, cleared slums, produced new "cities" for education, sports, and cinema, produced wide new streets, and provided the regime with a setting to showcase fascism's dynamism, power, and greatness. Mussolini's Rome thus embodied the movement, the man and the myth that made up fascist Italy.
This book questions flexibility as a design approach by providing a longitudinal analysis of an innovative architectural experiment called the School Construction Systems Development (SCSD) project. The SCSD pioneered the use of performance specifications to create an open, prefabricated, and integrated system of building components that provided four modes of flexibility. Educational facilities throughout California used the SCSD system and it spawned a variety of similar projects throughout North America. This book traces the development and subsequent use of the system over 50 years through archival research, personal observations, re-photography, re-surveying, plan evaluations, interviews, and an advertisement analysis. These new findings provide useful insights for architects, educators, historic preservationists, and others about the affordances of spatial flexibility, the difficulties associated with technological transfer, the impact of unstable market conditions, the importance of user input during the planning process, and the need for long-term social relations to sustain architectural experiments.
The first modern history of St James's Palace, shedding light on a remarkable building at the heart of the history of the British monarchy that remains by far the least known of the royal residences In this first modern history of St James's Palace, the authors shed new light on a remarkable building that, despite serving as the official residence of the British monarchy from 1698 to 1837, is by far the least known of the royal residences. The book explores the role of the palace as home to the heir to the throne before 1714, its impact on the development of London and the West end during the late Stuart period, and how, following the fire at the palace of Whitehall, St James's became the principal seat of the British monarchy in 1698. The arrangement and display of the paintings and furnishings making up the Royal Collection at St James's is chronicled as the book follows the fortunes of the palace through the Victorian and Edwardian periods up to the present day. Specially commissioned maps, phased plans, and digital reconstructions of the palace at key moments in its development accompany a rich array of historical drawings, watercolors, photographs, and plans. The book includes a foreword by His Royal Highness The Prince of Wales. Published in association with Royal Collection Trust
The Roaring Twenties in New York was a time of exuberant ambition,
free-flowing optimism, an explosion of artistic expression in the
age of Prohibition. New York was the city that embodied the spirit
and strength of a newly powerful America.
Essential information for the design of healthcare facilities
In this innovative volume, Jerry D. Moore discusses public architecture in the context of the cultural, political and religious life of the pre-Hispanic Andes. He uses new analytical methods to approach architecture and its relationship to Andean society, exploring three themes in particular: the architecture of monuments, the architecture of ritual, and the architecture of social control. His clear and richly illustrated discussion represents an original perspective on architecture and its role in the ancient world.
Museums are among the iconic buildings of the twenty-first century, as remarkable for their architectural diversity as for the variety of collections they display. But how does the architecture of museums affect our experience as visitors? This book proposes that by seeing space as common ground between architecture and museology, and so between the museum building and its display, we can illuminate the individuality of each museum and the distinctive experience it offers - for example, how some museums create a sense of personal exploration, while others are more intensely didactic, and how the visit in some cases is transformed into a spatial experience and in other cases into a more social event. The book starts with an overview of the history of museum buildings and display strategies, and a discussion of theoretical and critical approaches. It then focuses on specific museums as in-depth case studies, and uses methods of spatial analysis to look at the key design choices available to architects and curators, and their effects on visitors' behaviour. Theoretically grounded, methodologically original, and richly illustrated, this book will equip students, researchers and professionals in the fields of architecture, museum studies, curating, exhibition design, and cultural studies, with a guide for studying museums and a theoretical framework for their interpretation.
Designing Sustainable Residential and Commercial Interiors: Applying Concepts and Practices is a core text for students and designers seeking to apply sustainability to all stages of the design process for commercial interiors. The book provides an overview of the types of commercial interior design projects emphasizing a three-pronged approach to sustainability: equity, economy and ecology. Through inspirational case studies for a range of contract projects - such as office design, retail design, healthcare design, hospitality design, restaurant design and institutional design - readers will learn how to use a sustainable concept as the foundation for a well-designed, green project.
Four major communities, four buildings constructing their identities in the contested urban space of Jerusalem. This book examines a fascinating and critical epoch in the architectural history of Jerusalem. It proposes a fresh and analytical discussion of British Mandate-era architecture by studying four buildings that have had a lasting impact on Jerusalem's built environment. Applying relational history methodology, the book reveals how these building projects evolved as an outcome of cross-cultural influences and relations among the British, American, Jewish-Zionist and Muslim-Palestinian communities. Further, the building and design processes behind these structures give new perspectives on the adaptation of modern architecture in the Middle East and the negotiation of historicism and vernacular architecture during the first half of the 20th century.
Creating a Sense of Place in School Environments guides its readers to the characteristics that tend to generate a sense of place through children's vivid descriptions of their school and provides a body of critical information that can be employed to design a better school environment that can imprint cherished childhood memories. The childhood school environment calls for special attention regarding the sense of place it creates. The sense of place in childhood both affects children's current quality of life and frames their lasting world view. It is well known that children's cognitive development is closely related to their place attachment to their surroundings, and that children's adaptation to a given environment depends on how such place attachment can be created. Therefore, it is natural that people's identity in the world is the accumulation of their experience of place while in childhood. Cross-checking between the imprint of adults' memories of places in school and children's current "lived experience" of their favorite school place confirmed that certain spatial configurations, which the author herein refers to as "place generators" can generate positive attributes of physical settings that construct a sense of place and last as lifelong memories. It is an ideal read for academics, students, and professionals.
Containing over 1200 photographs and detailed line drawings from which one can design and build directly, Patterns from the Golden Age of Rustic Design is a valuable reference for preservationists, historians, designers, and homeowners. Albert Good provided plans for the construction of cabins, lodges, hotels, fireplaces, boat houses, furniture, fixtures, and more. Initially developed as a teaching tool for designers in the 1930s, this book is for anyone who has a desire to duplicate the classic, rustic structures commonly found in state and national parks. The designs extend to the use of stone in New England and the proliferation of the pueblo and mission styles in the southwest, as well as structures made of logs and mortar. In this informative treasure of a design book, you will find that the author reached his principal goal to present structures that "appear to belong and be a part of their settings."
This volume constitutes the proceedings of the "Second International Workshop on Cooperative Buildings (CoBuild'99) - Integrating Information, Organizations, and Architecture" held at the Carnegie Museum of Art in Pittsburgh on October 1-2, 1999. The success of the First International Workshop on Cooperative Buildings (CoBuild'98), held at GMD in Darmstadt in February 1998, showed that there is a demand for an appropriate forum to present research about the intersection of information technology, organizational innovation, and architecture. Thus, it was decided to organize a follow-up event. The decision of where to organize CoBuild'99 was straight forward. Since we had many high quality contributions from the United States (U. S. ) presented at CoBuild'98, we wanted to hold the second workshop in the U. S. reaching out to a large audience and at the same time turning it into an international series of events held in different places in the world. Due to the excellent work carried out at Carnegie Mellon University, it was an obvious choice to ask Volker Hartkopf from the Department of Architecture and Jane Siegel from the Human Computer Interaction Institute to be conference cochairs for CoBuild'99. The workshop is organized in cooperation with the German National Research Center for Information Technology (GMD), in particular the Integrated Publication and Information Systems Institute (IPSI) in Darmstadt providing continuity between the events.
Missionary medicine flourished during the period of high European imperialism in the late 19th and early 20th centuries and was considered the best and surest method to overcome the distrust of and gain access to the indigenous population in the so-called Muslim World. Through studying the medical activities and infrastructures of the Church Missionary Society (CMS) in Persia and north-western British India, and building upon existing works on missionaries in the Middle East and British India, this book examines the practice of obtaining trust. A synthesis of Christian mission history, architectural history, emotions history and history of medicine and empire, Emotion, Mission, Architecture raises broader historical questions about the process of mobilising and regulating emotions in the Christian missionary contexts - contributing in turn to discussions on hybridity, missionary and local encounters, women's agency and the interactions between mission and empire.
This is the standard design guide on schools architecture,
providing vital information on school architecture. Acoustics, impact damage, the functional differentiation of
spaces such as classrooms, music rooms, craft activities and
gymnasium, within a single institution are all dealt with. More
esoteric factors such as the effects on behaviour of colour, light,
surface texture and imagery are considered in addition to the more
practical aspects of designing for comfort and health.
Bringing together leading experts from the fields of architecture, design, engineering, education and the social sciences, this valuable collection presents a multidimensional understanding of the complexities and ways in which school designs influence and are influenced by educational practice. Moving beyond the long-debated question as to whether the design of a school influences pedagogic practice, chapters acknowledge the multiple and diverse ways in which teaching, learning, development and inclusion are impacted by the nature and quality of the physical environment. Considering changes in national and international policy, and exploring the changing pressures and demands on design, education and schooling more broadly, contributors rethink and re-envision those aspects of design and educational practice in which they specialise. Together, these chapters present a bold vision for the future conceptualisation, development and use of school buildings and facilities. An important contribution to debates on school design and education, inclusion and pedagogy, this is an essential and fascinating read for students, researchers, lecturers and policymakers involved in the fields of education and architecture.
Energieeffizienz und Einsatz regenerativer Energien sind Kernfragen bei Neubau, Instandsetzung und Erneuerung von Gebauden. Das Buch bietet einen Baukasten aus energetischen und nutzungsbezogenen Modulen, die bei der lebenszyklusorientierten Optimierung beachtet werden sollten. Aufbauend auf den Synergiepotenzialen werden Leistungsbundel angegeben. Die daraus abgeleiteten Leistungsangebote beinhalten alle wichtigen Aspekte zur praktischen Umsetzung in der Bauwirtschaft. Mit Berechnungsmodell, Beispielen zur Kostenanalyse und uber 100 Abbildungen."
In this volume, some of the leading figures in the field have been brought together to write on the roots of the historic preservation movement in the United States, ranging from New York to Santa Fe, Charleston to Chicago. Giving Preservation a History explores the long history of historic preservation: how preservation movements have taken a leading role in shaping American urban space and development; how historic preservation battles have reflected broader social forces; and what the changing nature of historic preservation means for efforts to preserve national, urban, and local heritage. The second edition adds several new essays addressing key developing areas in the field by major new voices. The new essays represent the broadening range of scholarship on historic preservation generated since the publication of the first edition, taking better account of the role of cultural diversity and difference within the field while exploring the connections between preservation and allied concerns such as environmental sustainability, LGBTQ and nonwhite identity, and economic development.
In this volume, some of the leading figures in the field have been brought together to write on the roots of the historic preservation movement in the United States, ranging from New York to Santa Fe, Charleston to Chicago. Giving Preservation a History explores the long history of historic preservation: how preservation movements have taken a leading role in shaping American urban space and development; how historic preservation battles have reflected broader social forces; and what the changing nature of historic preservation means for efforts to preserve national, urban, and local heritage. The second edition adds several new essays addressing key developing areas in the field by major new voices. The new essays represent the broadening range of scholarship on historic preservation generated since the publication of the first edition, taking better account of the role of cultural diversity and difference within the field while exploring the connections between preservation and allied concerns such as environmental sustainability, LGBTQ and nonwhite identity, and economic development.
Future Offices examines the evolving nature of the office as a spatial asset. Rapid changes in culture, technology, and society have upended longstanding notions of offices and the nature of work itself. While companies and capital around the globe have become increasingly consolidated, labour vis-à -vis technology has become increasingly decentralized. The office, traditionally a key spatial interlocutor between labour and capital is caught in an awkward position with typological considerations for architecture. What should the future office look like? What is the future role of the headquarters? What does the office’s changing role mean for urbanism? The works collected here provide frameworks for understanding the complex and multifaceted nature of contemporary work, manufacturing, and commerce, and they aspire to influence new ways of conceiving architecture at multiple scales. They speculate upon a future where offices acquire new facets as resources of space, knowledge, and production that participate in local and global economic and cultural contexts in new hybridised forms. At the heart of this is a recognition that the new ways in which companies integrate into in society should be reflected in architecture itself.
During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. 'Basic Forms' represents the culmination of their career. Although the subject matter is unglamorous-mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks-the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph-taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."
Henry Flagler's opulent Hotel Ponce de Leon drew worldwide praise from the day its elaborately carved doors opened in 1888. Built in the Spanish Renaissance Revival style, the architectural and engineering marvel featured the talents of a team of renowned artisans, including the designs of architects John Carrere, Thomas Hastings, and Bernard Maybeck, electricity by Thomas Edison, and interior decoration and stained glass windows by Louis Tiffany. Hotel Ponce de Leon is the first work to present the building's complete history and detail its transformation into the heart of Flagler College. Leslee Keys, who assisted in the restoration, recounts the complicated construction of the hotel-the first major structure to be built entirely of poured concrete-and the efforts to preserve it and restore it to its former glory. The methods used at Flagler College have been recognized as best practices in historic preservation and decorative arts conservation, and today the campus is one of Florida's most visited heritage tourism destinations.
There are numerous links between architecture and art. In his architectural work, Philipp von Matt, who lives with his partner the Japanese artist Leiko Ikemura, has often explored themes relating to the creation and presentation of art. Designs of exhibitions and “artist houses” feature among the Swiss’s oeuvre – and such projects have brought him far beyond his adopted city of Berlin. With his two studio buildings O12 and A27, von Matt has delivered impressive designs that reveal key aspects of his understanding of architecture. Free from standard forms of the era, his buildings reflect the architect’s interest in different materials and technical solutions as well as the influence of traditional Japanese and Swiss architecture. The book provides insights into von Matt’s diverse work. In addition to highlighting his “artist houses”, it showcases many exhibition designs that he produced for Leiko Ikemura, including her major exhibition in the National Art Center in Tokyo and the 2019 retrospective created in collaboration with the Kunstmusem Basel. Text in English and German. |
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