The study Reimagining the Library of the Future investigates the various models of public buildings and civic space through the lens of the library. It takes a critical look at the history, present, and future transformation of this significant building typology that has recently emerged as a redefined community place, social condenser, and urban incubator for knowledge generation, storage, and sharing. In particular, the library has evolved as a vibrant and vital member of community development and as a basis for outreach efforts. This book presents 40 recent public and academic libraries from around the world, with over 200 images. As the survey of precedents shows, the historical cases have informed the design of the recent libraries and the continuous development of the building type over time. Well-designed libraries are now in abundance, and the wider view of this study includes médiathèque and learning centres. The selection of contemporary projects focuses on urban libraries in Europe (Germany, Italy, Austria, Netherlands), the US, Canada, Mexico, Australia, Japan, and China.

Brucken pragen Landschaften und Stadte, es sind Bauwerke mit hohem Wert fur die Gesellschaft. Sie dienen der UEberwindung von Trennungen, sind Meisterwerke der Technik und AEsthetik und koennen in ihrer individuellen Ausgestaltung Kunstwerke, Wahrzeichen, Denkmaler oder gar Symbole darstellen. Meist handelt es sich um hohe Ingenieurbaukunst, die Meilensteine des technisch Machbaren dokumentiert und nicht zuletzt als Zeugnis der Geschichte dient. Das Buch gibt Einblicke in die Faszination des Bruckenbaus mit Beitragen zur Entwicklung des Bruckenbaus, zu Besonderheiten der Materialwahl, Konstruktionsarten, Instandsetzung und Ausblicken in die Zukunft. Einige beeindruckende Projektbeispiele zeigen, wie es gelingt, den Bogen zu spannen zwischen Technik, AEsthetik und mutigen innovativen Loesungen.

Die "Neue Heimat" war der groesste und bedeutendste nicht-staatliche Wohnungsbaukonzern im Europa der Nachkriegszeit. In einem Zeitraum von uber dreissig Jahren hat das Gewerkschaftsunternehmen mehr als 400.000 Wohnungen und seit den sechziger Jahren auch zahlreiche Kommunal- und Gewerbebauten in Deutschland geplant und ausgefuhrt. Die "Neue Heimat" war ein Hoffnungstrager fur die Teilhabe am Wirtschaftswunder - und der skandaltrachtige Zusammenbruch des Unternehmens Anfang der achtziger Jahre wirkte wie ein Schock auf die westdeutsche Bevoelkerung. Der zeitliche Abstand von uber einer Generation bietet die Chance fur eine kritische Untersuchung: Was waren die Ansatze der sozialdemokratischen Visionen und was ist aus dem bis heute angestrebten "Wohnen fur Alle" geworden? Anhand zahlreicher historischer Foto- und Planmaterialien und Kurzbeitragen werden u.a. Grosssiedlungen wie die Neue Vahr Bremen oder die Entlastungsstadt Neuperlach sowie gigantische Grossprojekte der "Neuen Heimat Stadtebau" wie das ICC Berlin dokumentiert.

Henry Flagler's opulent Hotel Ponce de Leon drew worldwide praise from the day its elaborately carved doors opened in 1888. Built in the Spanish Renaissance Revival style, the architectural and engineering marvel featured the talents of a team of renowned artisans, including the designs of architects John Carrere, Thomas Hastings, and Bernard Maybeck, electricity by Thomas Edison, and interior decoration and stained glass windows by Louis Tiffany. Hotel Ponce de Leon is the first work to present the building's complete history and detail its transformation into the heart of Flagler College. Leslee Keys, who assisted in the restoration, recounts the complicated construction of the hotel-the first major structure to be built entirely of poured concrete-and the efforts to preserve it and restore it to its former glory. The methods used at Flagler College have been recognized as best practices in historic preservation and decorative arts conservation, and today the campus is one of Florida's most visited heritage tourism destinations.

Text in German & English. Dahlem has developed in two different ways since the early years of the 20th century. An important scientific centre emerged on the site of this former royal territory south-west of Berlin, alongside a suburban villa colony. Elite research institutes were established in Dahlem, with the intention of creating a "German Oxford", including the first institutes for the Kaiser-Wilhelm-Gesellschaft, founded in 1911. Then Dahlem was chosen as the location for the Freie Universitat Berlin after the Second World War. The Max-Planck-Gesellschaft commissioned a new building in these surroundings in order to provide the Institute for the History of Science, dating from 1994, with accommodation appropriate to its needs. The building was erected in 2004/5 to a competition design by the Stuttgart architects Marion Dietrich-Schake, Hans-Jurgen Dietrich and Thomas Tafel (who left the team after drawing up the planning application). The buildings adjacent to the plot, which is bordered by streets on three sides, date mainly from the 1930s. Alongside the institutional buildings detached homes determine the local character. The Max-Planck-Institut reflects the dimensions and structure of its surroundings. Its height relates to the two-storey homes; the building masses were structured as eight connected, pavilion-like sections, which means that, despite its size, the institute is reticent in its impact on the urban space. The symmetrical complex is built around a spacious courtyard with old chestnut trees. The library is the key element of the building, and so was arranged around all four sides of the inner courtyard. Extensively glazed internal and external walls afford a wide range of views into the library rooms. This ensures a constant presence for the institute's most important set of working tools, and at the same time makes it accessible over very short distances from various parts of the building.

This text is in English & Portuguese. The Luz Integrated Health Complex, comprising the Hospital da Luz and the Casas da Cidade (Senior Residences), is situated in the Luz neighbourhood, to the north of Lisbon. Designed by the Lisbon-based architectural firm RISCO, it is seen as a benchmark for state-of-the-art developments in hospital architecture. In her text Catherine Slessor describes it as follows: 'This project is striking on many levels, but most notably in the way that it rationalises, dignifies and humanises a large and complex healthcare programme. Perhaps the best and most paradoxical epithet that any critic can offer is that the Hospital da Luz doesn't particularly look or feel like a hospital. Rather, the architecture reconceptualises the notion what that might be, and then skilfully socialises this notion so that it becomes a built and experiential reality. And in doing so, another subtle shift is applied to the evolving continuum of the hospital as one of the modern era's most fundamental yet elusive building types'. There are further contributions by Luis Santiago Baptista and Axel Hinrich Murken who provides a comprehensive overview of the history of hospital architecture. In addition to the large selection of plans and images there are various texts by architects and engineers who were involved in the construction.

As the location for reception and waiting, the hotel lobby is the most important and prestigious area of a hotel. This is where the first contact is made with the guests, anything that happens here has a strong influence on whether their stay will be enjoyable. As with hotel restaurants and bars, the lobby is a place to both relax and communicate. This volume presents 101 different concepts by Corinna Kretschmar-Joehnk and Peter Joehnk, two renowned specialists in the field of hospitality design. According to the credo "Design follows Atmosphere" they find individual design solutions for the most diverse hotels in the world to create the atmosphere the user desire. The lobbies, bars and restaurants depicted include new designs in historic Grand Hotels, creative solutions for budget hotels as well as hospitality spaces for award-winning design hotels.

Long recognized as a Chicago landmark, the Carson Pirie Scott Building also represents a milestone in the development of architecture. The last large commercial structure designed by Louis Sullivan, the Carson building reflected the culmination of the famed architect's career as a creator of tall steel buildings. In this study, Joseph M. Siry traces the origins of the building's design and analyzes its role in commercial, urban, and architectural history. Originally constructed to house the Schlesinger and Mayer Store, Sullivan's building was one of a number of large department stores built at the turn of the century along State Street in Chicago's burgeoning retail district. Replacing a generation of commercial architecture that had grown out of the Great Fire of 1871, these new buildings were tall and steel-framed, a construction that posed new aesthetic problems for designers. Handsomely illustrated with more than one hundred photographs and drawings, Carson Pirie Scott provides an illuminating history of a pivotal architectural work and offers an original, revealing assessment of how Sullivan, responding to the commercial culture of his time, created a fresh, distinctive American building.

This book compiles contemporary designs worldwide that break through the stereotype of doctor's practices as cold and often stressful environments. All projects aim at balancing medical technology and functionality with the need to create a welcoming and comfortable environment for the patients, visitors and staff. Apart from general practitioner's offices, those of dentists and a wide variety of specialists are also presented. The solutions range from practice design in an existing building to entirely new buildings for one or more offices. Doctor's Practices demonstrates today's architectural responses to the complex demands of healthcare ? a very fast-developing field.

A comprehensive history of one of Charleston's most significant landmarks On a hot summer day in 1929, the citizens of Charleston, South Carolina, participated in one of the largest celebrations in the city's history--the opening of the Cooper River Bridge. After years of quarrels, financial obstructions, and political dogfights, the great bridge was completed, and for the first time, Charleston had a direct link to the north. From the doldrums of the Depression to the growth of the 1990s, the Cooper River Bridge played a vital role in Charleston's transformation from an impoverished, isolated city to a vibrant and prosperous metropolis. Now obsolete and no longer adequately serving the needs of the Charleston area, the "old" Cooper River Bridge, and the "new" Silas N. Pearman Bridge--the Cooper River Bridge's larger sister structure, erected in 1966--will be replaced. Funding, design, and construction are presently underway to replace the old structure with a single, modern bridge. The two original bridges have become true emblems of Charleston, much like the Eiffel Tower of Paris or the Golden Gate Bridge of San Francisco. With their removal, Charleston will lose two of its most significant landmarks. This vast change in the city's skyline is sure to evoke memories from Charlestonians and visitors who have developed a special relationship with the old bridge. In addition to these reminiscences, the Cooper River Bridge has its own story--one of ambitious men and their dreams of profit, and of a city's dreams of prosperity. Upon its completion, the Cooper River Bridge was a grand symbol of Charleston's vision for the future, and the bridge recalls many significant themes in the modern history of the city. The Great Cooper River Bridge provides the complete history of this architectural icon, exploring how early twentieth-century Charleston helped shape the bridge, and how the bridge subsequently shaped the city. With more than eighty photographs, this illustrated volume documents a remarkable engineering feat and a distinctive structure before it becomes a memory.

The stately mansion known as the Argyle has a past as storied and fascinating as the Lone Star State itself. From its origins as a home and headquarters of a horse ranch to its transformation into an inn and elegant dining club, and ultimately part of a pathfinding medical research endeavor, the Argyle has been at the center of San Antonio and Texas history since the middle of the nineteenth century. Originally built as a residence in 1860 by Charles Anderson, the Argyle temporarily served as an arsenal for the Confederacy during the Civil War. By the late nineteenth century, siblings Robert and Alice O'Grady operated what became a familiar inn and fine dining establishment for weary travelers and many notable figures, including Gen. John J. ""Black Jack"" Pershing. During the Great Depression and World War II, the Argyle fell into disrepair. Betty Moorman, whose brother Tom Slick had founded the nonprofit Southwest Foundation for Biomedical Research, rescued the Argyle from the brink of demolition and converted it into a fine dining club whose members would provide financial support for the research institute. Today the Argyle continues to serve and support the mission of the Texas Biomedical Research Institute, making important contributions to understanding and developing treatments for infectious diseases and cardiovascular disease, cancer, diabetes, and other common diseases. This book not only contributes to the story of San Antonio's history but is also a treasured and informative keepsake for those who support and continue to benefit from the Argyle and its larger mission.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) In recent years, few German buildings have received as much public attention as the capital's new airport, designed by von Gerkan, Marg and Partners Architects. Since opening in October 2020, BER can now be experienced by everyone. This volume of the gmp FOCUS series offers insight into the design and planning of the airport, which is characterized by short distances, a high degree of modularity, and flexibility of use. Based on a universal planning and design manual, all elements of the airport are integrated into an axial system and form an architectural-functional unit. An essay by architecture critic Falk Jaeger and an interview with the designing architects provide background information on the project.

The Neue Nationalgalerie on the Berlin Kulturforum is an architectural icon as well as the crowning conclusion of architect Ludwig Mies van der Rohe's life work. An outstandingly successful and sensitive refurbishment and modernization project was carried out for the building's most significant overhaul since its opening in 1968. It complies with the requirements of a contemporary museum exhibition facility, as well as monument-preservation guidelines. David Chipperfield Architects developed the renovation concept under the motto of "As much Mies as possible." This publication provides deep insight into the planning, execution, monument preservation, and restoration from the perspective of those involved. The exemplary handling of the historical fabric is presented in design documents and numerous large-format photographs that impressively illustrate the design stage, the construction site, and the refurbishment results. With articles by David Chipperfield, Bernhard Furrer, Gunny Harboe, Joachim Jager, Dirk Lohan, Fritz Neumeyer, Alexander Schwarz, Gerrit Wegener, and some 30 project managers

For romantic dinners, family meetings or business lunches, restaurants have always functioned as venues of social interaction. Their interior designs are as varied as the types of food served and the culinary delights are aided and abetted by the choice of furniture, materials, floor plans and colors. While some designers strive to produce eccentric and outlandish effects, others distinguish themselves by a minimalist reduction to the essential or a reinterpretation of traditional contexts and classical decor. Eat! presents a sumptuous menu of designs. It is a celebration of the most inspirational new restaurant spaces from all over the world where all the interior design elements add to the exquisite experience of eating out. This illustrated volume is a fascinating kaleidoscope of trendsetting international restaurants which were designed in recent years.

Text in English and German. In autumn 1997 the Zentrum fur Kunst und Medientechnologie (ZKM) moved into the production hall of a former munitions factory in Karlsruhe, built by Stuttgart architect Philipp Jakob Manz in 1914-18. Hamburg architects Schweger plus Partner were commissioned to convert this industrial structure, over 300 m long and with 10 atria, after Rem Koolhaas' project of a new building for the ZKM immediately adjacent to the main station in Karlsruhe had been rejected in favour of refurbishing and converting the imposing old building. There is no doubt that the thinking that led to the decision to retain an industrial monument dating from the turn of the century and to bring it back to life for different purposes, rather than putting up a new building, was essentially practical in nature. And yet the result is unique, as a dialogue of a quality that could scarcely be matched anywhere in the world was initiated between the four-storey hall with it's extensive atria and its new users, the ZKM institutes, the Staatliche Hochschule fur Gestaltung and several museums -- Medienmuseum, Museum fur Neue Kunst and Stadtische Galerie.The architects were experienced in handling large industrial and office buildings, but also ambitious museum projects -- among others they designed the Wolfsburg Kunstmuseum -, and they succeeded not only in showing the historical building substance and it's spatial potential to the best advantage, and in complementing this brilliantly inside and out; but they also combined the real architectural space and the imaginative space of modern pictorial worlds in an exciting way.

Norman Foster, one of the most consistent advocates of architec- ture based on modern technology, achieved a world-wide reputa- tion with the headquarters for the Hongkong & Shanghai Banking Corporation in Hong Kong, Stansted Airport in London, Century Tower in Tokyo and his telecommunications tower in Barcelona. His most important projects in Germany are the conversion of the Reichstag building in Berlin and the new Commerzbank headquar- ters in Frankfurt am Main.

This innovative book interprets architectural spaces in the light of the underlying tensions between 18th-century Dublin as a fashionable resort and the attempts by the authorities to deal with some of the results of its apparent profligacy. These include the creation of new institutions as well as other measures designed to remove ugly realities from the street and purify urban space. Based mainly on 18th- and 19th-century archival material from the Rotunda Hospital, the Lock (venereal) Hospital and the Hospital for Incurables, this book challenges the vision of 18th-century Dublin as an ideal Protestant city by investigating the hidden world behind its wide streets and magnificent Georgian facades. The decision to establish the British Isles first maternity hospital on the northern edge of Sackville Street (today s O Connell Street) was grounded in a series of imperatives where obstetrics and medicine were only part of the overall story. The adjacent Pleasure Gardens, created ostensibly to provide funds for the hospital, introduced new types of social engagement and an increase of commodified forms of entertainment to the city. The Gardens, characterised by acts of spectacle and display, soon acquired an additional reputation as a site of sexual adventure and louche behaviour, one which ultimately would be extended to the city.

The exuberant personalities of 22 landmark buildings in downtown Fresno are captured in watercolor portraits and brief explanations of each structure's significance in this architectural survey. Covering well-known properties in all stages of repair, this collection includes images of the Hotel Californian, the Liberty Theater, the Meux Home, the Pacific Southwest Building, the Southern Pacific Railroad Depot, and Warnors Theater. Including a glossary of architectural terms and a bibliography, this nostalgic look at the historic past and current rebirth of central Fresno pays stirring homage to the area's unique architectural heritage.

'Laboratory Design Guide' takes the reader through the complex stages of laboratory design and construction, offering practical advice and detailed examples.
Brian Griffin's working manual covers the latest designs for new and evolving laboratory practices and equipment and includes current and future requirements for laboratories such as automation. Case studies illustrate the points made and represent the international view of the principles of laboratory design.
'Laboratory Design Guide' will prove invaluable to all those responsible for the design of laboratory buildings: the client; architect; engineer; building project manager and scientist.
Brian Griffin is a full-time laboratory design consultant. His 15 years' experience in this field have resulted in many published articles on the subject and numerous lectures to laboratory managers and scientists. This close contact with the industry has increased Brian Griffin's awareness of the trends in laboratory practice and the need for effective design of new facilities.
Working design manual for all members of the lab design team
Shows the design process from start to finish
Incorporates the very latest designs for new and evolving laboratory practices and equipment