Thermal comfort and indoor air quality (IAQ) issues have gained significant interest in the scientific and technical community involved in building performance analysis and other related subjects. In terms of thermal comfort, the achievement and maintenance of a thermally acceptable indoor environment is affected by energy costs, and energy poverty is a widespread problem globally. There is a call for energy-efficient architecture for a developed and sustainable world. However, with the use of renewable energy that increased considerably in recent years, new technical challenges arose for the energy sector. Consumers are key players in this context, as flexibility in demand is crucial to cope with the intermittent nature of most renewable energy sources. Active demand-side participation is particularly important to ensure the efficient use of locally and globally available energy. Sustainability, human comfort, and healthy living environments have become top priorities. Advancements in Sustainable Architecture and Energy Efficiency explores how housing is a key health factor for individuals and looks at factors such as air quality, ventilation, hygrothermal comfort, lighting, physical environment, building efficiency, and other areas as important pieces in healthy architecture. It discusses how the poor application of these parameters can directly affect human health and how sustainable architecture provides a solution. Beyond just labeling the important facets of architecture for healthy living, this book will look at different perspectives of energy consumption and demand to ensure sustainable energy, increased energy efficiency, improved energy policies, and reasonable energy costs for homes. This book is ideal for architects, designers, engineers, energy engineers, environmental scientists, practitioners, researchers, academicians, and students interested in architecture that is both conducive to healthy living and energy efficiency.

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) Längs des Schorgasttals im oberfränkischen Landkreis Kulmbach verläuft die Bundesstraße 289. Auf Höhe der Ortschaft Untersteinach entstand eine Ortsumfahrung, deren wesentlicher Bestandteil die 550 Meter lange Schorgasttalbrücke ist. Die Bauingenieure BPR Dr. Schäpertöns Consult GmbH und SRP Schneider & Partner gewannen 2010 den Realisierungswettbewerb in Zusammenarbeit mit SBR Schultz-Brauns & Reinhart Architekten. Sie wählten für den die Schorgastaue im weiten Bogen querenden Streckenverlauf eine mehrfeldrige Schrägseilbrücke. Die Jury lobte das baulich und optisch bestechende Bauwerk schon bei der Preisverleihung wegen seines selbstbewussten Auftritts, seiner Harmonie, Transparenz und Signifikanz. Baulich wie optisch besticht das 2020 dem Verkehr übergebene Brückenbauwerk durch sechs an der Kurveninnenseite angeordnete und radial nach innen geneigte Pylone. Es stellt einen überzeugenden Beitrag zur Baukultur dar.

The completion of David Chipperfield's distinctive new building for Kunsthaus Zurich in December 2020 has nearly doubled the museum's overall space. In combination with the preceding refurbishments of the earlier buildings, this has made it fit to meet the demands of an art museum in the 21st century. A sequel to The Architectural History of the Kunsthaus Zurich 1910-2020, this book comprehensively introduces the new Kunsthaus Zurich, demonstrating how the task of building an art museum in the 21st century can be fulfilled. Concise texts, statements by protagonists and by future users and visitors as well as numerous illustrations trace the project's evolution and the construction process and look at the completed building from various perspectives. The book also highlights what features contemporary museum infrastructure has to offer and the architectural and urban design qualities it requires, and what financial and organisational challenges the entire undertaking implied. A conversation between experts exploring the expanded museum's impact on its immediate neighbourhood and Zurich's urban fabric as a whole rounds out the volume. Text in French.

James D. Dilts has written the first comprehensive study of the broad range of structures built in North America for the railroads during their heyday, from high-rise office buildings to beautiful resort hotels to lowly roundhouses and shops. Dilts delves into the personalities of the people who conceived these structures and examines the creative uses that have been found for many of them today. The railroads popularized such vogues in architecture as the Italianate style in the United States and the chateau style in Canada and pioneered the use of new materials (for example, steel) and methods of construction. Included are more than a hundred of the finest examples of fourteen different building types. The World the Trains Made will appeal to railroad and architecture buffs, preservationists considering the adaptive reuse of historic structures, and anyone concerned about our transportation priorities in the age of climate change-particularly with regard to environmentally friendly railroads.

An in-depth exploration of the Don Jail from its inception through jailbreaks and overcrowding to its eventual shuttering and rebirth. Conceived as a "palace for prisoners," the Don Jail never lived up to its promise. Although based on progressive nineteenth-century penal reform and architectural principles, the institution quickly deteriorated into a place of infamy where both inmates and staff were in constant danger of violence and death. Its mid-twentieth-century replacement, the New Don, soon became equally tainted. Along with investigating the origins and evolution of Toronto's infamous jail, The Don presents a kaleidoscope of memorable characters - inmates, guards, governors, murderous gangs, meddlesome politicians, harried architects, and even a pair of star-crossed lovers whose doomed romance unfolded in the shadow of the gallows. This is the story of the Don's tumultuous descent from palace to hellhole, its shuttering and lapse into decay, and its astonishing modern-day metamorphosis. Speaker's Book Award 2021 - Shortlisted | Brass Knuckles Award for Best Nonfiction Crime Book 2022 - Shortlisted

Dramatic photos and fascinating text explore the rich angular ornament, towers, graphics, and exaggerated works created by architects and designers in 1920s to 1940s Los Angeles. Students and admirers of the Art Deco and Streamline styles will delight in the remarkable array of public buildings, office towers, theaters, restaurants, religious structures, apartments, hotels, and individual homes. Many of the leading architects of the era are featured, including Claude Beelman; Morgan, Walls & Clements; A.C. Martin; Walker & Eisen: and John & Donald B. Parkinson. Celebrating populist, progressive, machine-age Los Angeles, this wonderful book showcases the two main categories of Art Deco styles: the zigzag, perpendicular Deco style of the 1920s and the aerodynamic, cubist style of the Streamline 1930s and early `40s. Allied to these are the many L.A. works known as PWA and Classical Moderne, as well as the playful Regency Moderne. With both exterior and interior views, this is an essential reference and a stunning tribute to architectural expression in Los Angeles.

Cities are not only places that house buildings; they are also spaces where cultural and social relations are built and developed. These properties must be taken into consideration when constructing and renovating new housing. Different methodologies can be used in order to create new flexible solutions for mass housing units' interior spaces with the aim of improving their adaptability by using a user-centered approach. Re-Coding Homes Through Flexible Interiors: Emerging Research and Opportunities is an optimal resource that investigates how interior design models can transform existing spaces into more flexible and functional housing units while also increasing the functional value and spatial quality of living spaces in social housing. The book specifically discusses how genetic algorithms, a generative design approach, are used to solve nonlinear design problems. It also provides results that can be referenced based on actual domain data, which can be used as references to other architectural and interior design approaches. Featuring research on topics such as housing design and mass housing, this book is ideally designed for architects, engineers, interior designers, furniture designers, construction companies, architecture firms, practitioners, academicians, students, and researchers.

Text in German & English. When the stadium for a "Workers Olympiad" -- one of the most beautiful complexes in Europe, as the daily press put it -- was opened in 1931 on the occasion of the 10th anniversary of the Republic of Austria on the Prater site in Vienna, Otto Ernst Schweizer, the architect, was suddenly catapulted into the ranks of internationally acclaimed architects. The stadium, which can seat 60,000, was built as an amphitheatre on the model of its ancient predecessors, in particular the Colosseum in Rome, which Schweizer had studied intensively; the Viennese stadium seen as a reinterpretation of the enormous Roman structure on the basis of the constancy of things that were valid, which was one of the basic premises of his architecture. Otto Ernst Schweizer, born in 1890, and thus of the same generation as Le Corbusier, Hans Scharoun, Erich Mendelsohn and Ludwig Mies van der Rohe, had attracted attention even as a young architect with some outstanding competition entries, and was acclaimed for his planetarium on the periphery of the old town in Nuremberg and for the stands and the two cafes of the stadium complex there. He had left municipal service as an Oberbaurat to dedicate himself to planning and realizing the Milchhof in Nuremberg and also the stadium in Vienna. For thirty years he worked as one of the great teachers and researchers in the architecture faculty of the Technische Hochschule in Karlsruhe. He built -- after a long break forced upon him by National Socialist culture policy -- the II. Kollegiengebaude for Freiburg University. This was his last building, and once again Schweizer's approach to form and function was concentrated in it, almost as the quintessence of a rich creative life. And what remains of the stadium, this most beautiful complex in Europe, as has been said? The landscape around it has been wrecked and allowed to fray into randomness and Schweizer's reflecting lake in front of the arena has been filled in. The arena itself has been enlarged by almost double its appropriate cubature and its height increased, so generally it has changed to such an extent that the original is unrecognisable; hence this book.

Unter dem faschistischen Regime wurde im Sudtiroler Martelltal 1937 das vom Architekten Gio Ponti geplante Hotel Paradiso eroeffnet. Das heute verlassene, ehemalige Sporthotel, ein langgestreckter, geschwungener Solitar, der einst die Qualitaten eines Luxushotels mit denen einer Schutzhutte zu kombinieren vermochte, wurde als Gesamtkunstwerk geplant. Eine Besonderheit sind Gio Pontis Studien zum eigenwilligen und bis ins Detail entworfenen Farbkonzept, das auf vier Grundfarben basierend fur die Wande und Decken der Raume verwendet wurde. Mangelnde Wartung und Vandalismus haben dem Hotel seit der Schliessung 1946 arg zugesetzt. Vor dem Hintergrund der Wurdigung der Anlage als Gesamtwerk und einer sorgfaltigen Bestandsaufnahme ist es moeglich, den Entwurfsprozess von den ersten Skizzen bis zur Ausfuhrung zu verfolgen.

When it's time to start planning for a renovation or construction project, you don't need a book that covers everything from A to Z. Instead you need a concentrated set of tools and techniques that will guide you and your team to find the best solutions for your specific project. That's exactly what library building expert Schlipf provides in his new book, which will be a key resource for library directors, administrators, board members, trustees, and planning professionals. Pinpointing the elements that make library buildings functional, in this book readers will find a streamlined organization of the text that enables quick consultation and facilitates collaboration; concise coverage of the essentials of the library construction process, including who does what, how things work, and how to stay out of trouble along the way; advice on important planning and workflow considerations such as site selection, schematic design, funding, design development, the bidding process, construction, and post-construction occupancy; discussion of the characteristics of successful library buildings-buildings that are easy to maintain, welcoming to people with disabilities, have less trouble-prone restrooms, and provide security for users, staff, and collections; and an overview of bad ideas in library architecture, with pointed guidance on how to steer clear of them from the very beginning of your project. This powerful primer will help everyone involved in a library building project stay focused on the task at hand.

Welcoming its first executive in 1842, the Mississippi Governor's Mansion is the second-oldest continuously occupied governor's residence in the United States. The Mansion is both a public building open for tours and the private residence of the governor and his family. In this unique book, readers are invited to explore the entirety of the building, from the attic to the garage and everything in between. The Mississippi Governor's Mansion: Memories of the People's Home is the first book of its kind dedicated to images and stories about the Governor's Mansion. The volume reveals Governor Phil Bryant's profound respect for the office he holds and his deep appreciation for the National Historic Landmark in which he resides. Through his personal, often touching reflections, Governor Bryant pays tribute to former governors, their families, and the many public servants who have dedicated their lives to taking care of this beautiful Greek Revival masterpiece. More than sixty elegant watercolor paintings by noted Mississippi artist Bill Wilson accompany the governor's stories. Wilson captures the beauty and majesty of the home, its furnishings, and the restored historic grounds. The volume also features a personal foreword by First Lady Deborah Bryant inviting readers into her home, an artist's statement by Wilson, and a brief historical essay written by Mansion curator Megan Bankston.

Middlesbrough is the largest town in north-east England, growing rapidly in the nineteenth century from a small village to a large industrial settlement on the River Tees built to ship coal from the newly arrived railways. New industries such as iron and steel production and shipbuilding followed and the wealth generated in Middlesbrough can be seen today in its buildings. From the ancient parish churches and manor houses, through the Victorian industrial age, to the modern galleries, this exciting and vibrant town has much to offer. Among the remarkable buildings and structures in this book are the imposing Victorian town hall, Binns department store, the iconic Transporter Bridge and the Newport Bridge, the Riverside Stadium, MIMA (Middlesbrough Institute of Modern Art) gallery and many more. Middlesbrough in 50 Buildings explores the history of this fascinating town through a selection of its most interesting buildings and structures, from its early pre-industrial days, its massive development as an industrial settlement and the changes that have taken place in Middlesbrough in recent years. This book will appeal to all those who live in Middlesbrough or have an interest in the town.

The foodservice industry gets more competitive every day. As a result, initial planning is extremely important and has become a key factor in determining the success or failure of an operation. This fully updated edition of the best-selling text on foodservice facilities planning shows students how to create a facility that blends the most efficient work environment with an ambience that will attract more customers. Students will find all-new information on how to—

• cost-effectively design an operation
• properly select and efficiently maintain equipment
• successfully plan and accurately evaluate foodservice layouts
• plan fast-food facilities and bakeshops
• cut costs through more efficient energy planning.

Equipped with this comprehensive book, students will develop expertise in all aspects of foodservice facilities planning, from prospectus to finished facility. The author provides sample layouts of award-winning floor plans from which effective designs can be modeled. Students will also find practical exercises that help prepare them for common problems that may arise while planning their own operation. They will also learn how to organize data to begin planning, how to develop feasibility studies, how to fully equip and operate their own facility, and most important, how to make their facility achieve maximum productivity and profits. Whether you are a student just learning the business, a foodservice planner, consultant, or decision maker in the industry, this practical reference book can make you an indispensable member of the foodservice facility planning team. An ideal classroom tool for students interested in careers in the foodservice industry, Foodservice Facilities Planning can also offer firm guidance to veteran foodservice planners, consultants, and decision makers.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

This book documents the creation of the Taiyuan Museum of Art: a geometric visual feast that seeks to redefine the structure of museums, galleries, and other public spaces. The architects behind this phenomenal project have described it as a building which "produces the impression of a unified sequence of spaces while at the same time giving visitors the freedom either to follow a path that is clearly defined by the architecture or to skip from one gallery to another in a non-linear fashion". This book embraces the ideas that generated the project through interviews with graduate students at the Knowlton School of Architecture, interviews with contemporary critics, and critical commentary from architects, designers, and colleagues of the architect. The design process is described in detail through drawings, diagrams and study models.

Many books have been written about the University of Chicago over its 120-year history, but most of them focus on the intellectual environment, favoring its great thinkers and their many breakthroughs. Yet for the students and scholars who live and work here, the physical university - its stately buildings and beautiful grounds - forms an important part of its character. "Building Ideas: An Architectural Guide to the University of Chicago" explores the environment that has supported more than a century of exceptional thinkers. This photographic guide traces the evolution of campus architecture from the university's founding in 1890 to its plans for the twenty-first century. When William Rainey Harper, the university's first president, and the trustees decided to build a set of Gothic quadrangles, they created a visual link to European precursors and made a bold statement about the future of higher education in the United States. Since then the university has regularly commissioned forward-thinking architects to design buildings that expand - or explode - traditional ideals while redefining the contemporary campus. Full of panoramic photographs and exquisite details, "Building Ideas" features the work of architects such as Frank Lloyd Wright, Henry Ives Cobb, Holabird & Roche, Eero Saarinen, Ludwig Mies van der Rohe, Walter Netsch, Ricardo Legorreta, Rafael Vinoly, Cesar Pelli, Helmut Jahn, and Tod Williams Billie Tsien Architects. The guide also includes guest commentaries by prominent architects and other notable public figures. It is the perfect collection for Chicago alumni and students, Hyde Park residents and visitors, and anyone inspired by the institutional ideas and aspirations of architecture.

Text in English & German. Since the 1950s Stefan Polonyi has realised a large number of buildings of all kinds from his Cologne office, working with famous architects all over the world. In his view, load-bearing structure, form and function have to form an indissoluble entity, and thus create an aesthetic appearance: beauty feeds on structural consistency. Very few civil engineers have made claims of this kind. Architects who have worked with Polonyi see this ambitious claim as something that has enriched their own design process. First of all Polonyi, working with Josef Lehmbrock and Fritz Schaller, developed bold folded structures and shells for church buildings, and this at a time before statical calculations were not done by computer, but a lot of things still had to be tried out in model form. Polonyi co-operated closely with Oswald Mathias Ungers on the Galleria for the Frankfurter Messe, among other projects. He made the flying roof for Axel Schultes' Kunstmuseum Bonn possible, supported by a row of irregularly placed columns, and also the undulating metal ceiling in the auditorium of Rem Koolhaas' Nederlands Dans Theater and the umbrella-like roofing for the approach tracks in Cologne's main station. Polonyi's bridges, built from the 1990s in the Ruhr District, have become landmarks in the meantime with their red curved tubes as a structural and aesthetic element. Today he creates his bridges as buildings over the river, so-called Living Bridges. Polonyi's wide range of professional experience had a considerable bearing on his teaching at Berlin and Dortmund Technical Universities. Working with architects Harald Deilmann and Josef Paul Kleihues, Polonyi established the "Dortmund Model for the Building Sciences". It provides joint training for architects and civil engineers in a single faculty. The present book is appearing to accompany the exhibition of the same name in the "Dortmunder U". The essays address specific aspects of Polonyi's work. So Karl-Eugen Kurrer and Ulrich Pfammatter look at the development of structural analysis and the resultant distinction drawn between the professional territories of the civil engineer and the architect. Patrik Schumacher, partner in Zaha Hadid's practice, represents a current position in terms of co-operation between the two disciplines. Katrin Lichtenstein's account of the Dortmund Model and Atilla OEtes' view of the current study situation consider the effect on training and teaching. Sonja Hnilica analyses the folding systems and shells in the church projects, and Polonyi presents his bridges, including the designs for the Living Bridges.

In the most comprehensive investigation of the Los Angeles Public Library's early history and architectural genesis ever undertaken, Kenneth Breisch chronicles the institution's first six decades, from its founding as a private library association in 1872 through the completion of the iconic Central Library building in 1933. During this time, the library evolved from an elite organisation ensconced in two rooms on the second floor of a downtown LA commercial block into one of the largest public library systems in the United States-with architect Bertram Grosvenor Goodhue's building, a beloved LA landmark, as its centrepiece. Goodhue developed a new style, fully integrating the building's sculptural and epigraphic program with its architectural forms to express a complex iconography. Working closely with sculptor Lee Oskar Lawrie and philosopher Hartley Burr Alexander, he created a great civic monument that, combined with the library's murals, embodies an overarching theme: the light of learning. "A building should read like a book, from its title entrance to its alley colophon," wrote Alexander-a narrative approach to design that serves as a key to understanding Goodhue's architectural gem.

Text in English and German. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O Gehry's Guggenheim Museum in Bilbao. But there are not just the international stars who have contributed to this success. Spanish architects in particular have designed unique museums that have changed the look of whole towns. One example is the Museo de Arte Contemporaneo de Castilla y Leon in Leon in Castille, built by the Madrid architects Mansilla + Tunon. Rafael Moneo, who recently completed the annexe for the Museo del Prado in Madrid is still the undisputed leading figure in Spanish architecture, but in the meantime architects like Mansilla + Tunon, who trained under Moneo, are attracting attention internationally as well as in Spain, and so are young talents who have just left architecture school and are successfully designing museums. Spanish architects use a wide variety of formal languages. And yet there are some characteristics that apply to them all: they have never been interested in the games Postmodernism plays; many of them value reinterpreting regional building traditions in a modern way; they are also sensitive to special features of the existing topography. Kenneth Frampton said in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable aesthetic product. The present book, which is also suitable as a museum guide, shows that this tendency is particularly conspicuous in the new museums. It confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Merida to Herzog and de Meuron's new Calixa Forum art gallery in Madrid.

The book goes beyond the assembly line to examine the physical environment of the industrial landscape. What machines are used to make cars and computer chips? Who are the people who make the products? When did robots replace humans on the assembly line? Why are factories configured the way they are? The Factory: A Social History of Work and Technology answers these questions and more, offering readers a behind-the-scenes look into the wonders of mass production. The book traces the history of the factory from the first small cottage workshop through the Industrial Revolution to the large, clean room it is today. It also examines the people behind the machines and how their roles have been defined by the design of factory buildings. Lastly, it illustrates the broader world of industrialization in relation to the effects it has had on workers and the consumer society that feeds it. Appeals to readers interested in world history, industrial tourism, and the robotics industry Explains the significance of the factory to American history and culture Tells the story of American factory work through spaces and objects Details how factory buildings have evolved over the years

Das Berliner Zimmer ist seit jeher Zumutung und Angebot zugleich: dunkel, schwer zu beheizen, ohne klar definierte Funktion. Ein Raum, der zur kreativen Aneignung einladt, der geliebt und gehasst wird - aber bisher kaum erforscht wurde. Jan Herres leistet in diesem Buch Pionierarbeit. Er zeigt auf, wie das Berliner Zimmer ab dem 18. Jahrhundert entstand und warum es bis heute Eingang in den Berliner Wohnungsbau findet. Die architekturgeschichtliche Beschreibung wird durch Fallstudien und Bildstrecken zu heutigen Formen der Nutzung und Moeblierung erganzt. Durch die Erfassung von Grundrissen, Groessen und Wohnpraktiken liegt mit Das Berliner Zimmer. Geschichte, Typologie, Nutzungsaneignung die erste Anthologie des Berliner Zimmers vor, die zugleich ein Pladoyer dafur ist, Wohnarchitektur nutzungsoffen und wandelbar fur kunftige Anforderungen zu planen.