The built heritage of postwar modernism has been under threat from climate change and the high expectations of society for years. The tremendous volume of building stock was erected with high hopes for the future within just a short period of time—and frequently using construction techniques that were as yet unproven. Despite the many research efforts focusing on spatial concepts and societal utopias between the 1950s and 1970s, the practice-oriented field of construction research lacks binding recording and evaluation strategies for buildings, materials, and construction methods for the majority of buildings of all types. This affects projects from solitary churches, residential settlements, and green spaces right through to large cultural, sporting, and education constructions, as well as the engineering structures of the urban and peripheral infrastructure. In order to preserve this existing stock as a resource for the future, new recording and evaluation tools that take into account technical, construction, ecological, and economic factors are necessary. This book presents possibilities for the management of our recent constructed heritage on the basis of ongoing projects by the DFG-Netzwerk Bauforschung Jungere Baubestande 1945+ buildings preservation network.

Das Buch bietet eine architektonische Entdeckungstour durch Berlin und gibt einen eindrucksvollen Einblick in die jungste Architektur der deutschen Hauptstadt. Es dokumentiert den Stadtumbau seit der Eroeffnung des Neuen Museums 2009 am Beispiel von rund 30 ausgewahlten architektonischen und landschaftsarchitektonischen Projekten. Das Augenmerk liegt auf grossen architektonischen und stadtplanerischen Meilensteinen wie dem grossen Neubau des Axel Springer-Gebaudes von OMA oder der Museumsinsel. Doch auch versteckte Schatze wie das Wohnregal von FAR Frohn & Rojas sind berucksichtigt. Interviews mit Protagonistinnen und Protagonisten der Berliner Architekturszene ermoeglichen einen Blick hinter die Kulissen.

This text is in English & Portuguese. The Luz Integrated Health Complex, comprising the Hospital da Luz and the Casas da Cidade (Senior Residences), is situated in the Luz neighbourhood, to the north of Lisbon. Designed by the Lisbon-based architectural firm RISCO, it is seen as a benchmark for state-of-the-art developments in hospital architecture. In her text Catherine Slessor describes it as follows: 'This project is striking on many levels, but most notably in the way that it rationalises, dignifies and humanises a large and complex healthcare programme. Perhaps the best and most paradoxical epithet that any critic can offer is that the Hospital da Luz doesn't particularly look or feel like a hospital. Rather, the architecture reconceptualises the notion what that might be, and then skilfully socialises this notion so that it becomes a built and experiential reality. And in doing so, another subtle shift is applied to the evolving continuum of the hospital as one of the modern era's most fundamental yet elusive building types'. There are further contributions by Luis Santiago Baptista and Axel Hinrich Murken who provides a comprehensive overview of the history of hospital architecture. In addition to the large selection of plans and images there are various texts by architects and engineers who were involved in the construction.

The book studies the social production of motion in a capitalist urban context. In the city of capital, motion refers to a fetish. The bourgeois order posits motion as a metaphor for energy, positivity, and progress - a norm - and obstruction (motion's dialectical opposite) as delinquency. The book uncovers the social tectonics of spatial mobilization and thus demystifies motion. Who and what set spaces on the move? How did various classes of city dwellers activate, experience, and negotiate it? Streets in Motion develops an approach to urban history by theorizing and historicizing the 'street' as an apparatus of city-making and subject formation. It works at two registers - a local history of Calcutta in colonial and post-colonial periods, and a theorizing of the logistical and political-cultural centrality of the street within this rubric. It is argued that the street is politics in as much as politics is the production of space.

This title includes text in English & Portuguese. In the second half of 2007, the baton of the EU Council Presidency was passed to Portugal. The country decided to hold the majority of the planned meetings, conferences and summits at a central location in Lisbon. The chosen venue was the Sala Tejo des Pavilhao Atlantico, which was converted to host the meetings on the future of Europe, culminating in the Treaty of Lisbon. The architects commissioned for this project, Baixa, Atelier de Arquitectura, successfully gave the venue - as well as the event - an impressive identity, marked by Portuguese culture and contemporary architecture. This book pays tribute to this ephemeral piece of architecture with a comprehensive collection of sketches, drawings and photos. In the accompanying and introductory texts, the project is viewed through the eyes of two well-known architecture critics as well as the Head of Mission of the Portuguese Presidency.

In this classic, the authors present Le Corbusier's most important buildings, projects, and urban planning designs. The spectrum ranges from the early house studies and buildings, such as the "Citrohan" houses, the Weissenhof houses, the housing estate in Pessac to large residential and commercial buildings such as the various Unites d'Habitation and the house of the Centrosoyus in Moscow, from theoretical works such as the development of the "Modulor", to the urban plans presented in detail, for example: for Algiers, Rio de Janiero, Berlin or Chandigarh. Each project is presented through photographs, plan material, documents, and sketches by Le Corbusier. The volume also includes a selection of his paintings. A biography and a complete list of works (buildings and projects) add to the content to create a concise overview of Le Corbusier's vast oeuvre.

The Open Call in Flanders (the Dutch-speaking, northern part of Belgium) is more than just another architecture competition: any governmental agency or public institution can choose to work with an Open Call for any given construction project. Since its invention by the first Flemish Government Architect bOb Van Reeth in 2000, more than 700 assignments have been published in this procedure, resulting in almost 350 completed public architectural and infrastructural projects so far. This volume compiles 70 of these, from all over Flanders-from its west coast to the Dutch border in the east-to illustrate the astounding quality of these projects. They prove that public architecture can be daring, thought-provoking, cooperative, and well-done at the same time. The book takes an extensive look at how this procedure works, how it is received by architects, politicians, and clients-and ultimately, at the outstanding public architecture in Flanders as an example for other countries to study closely. Including buildings by 51N4E, Bovenbouw Architectuur, Compagnie O, Dierendonckblancke, KAAN, Ney & Partners, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter, Zaha Hadid, among others

As the signature event of Hong Kong Interior Design Association (HKIDA), APIDA aims to promote professional standards among interior design practices, recognise outstanding interior design projects and invites interior design on a broader social level. Many outstanding submissions have not only grown in number this year, but also completed on a whole new level. Many projects pursue minimalism, adhering to the user-oriented view, reinforcing the intimate relationship among design, nature and man, transcending good interior design to sculpt space, emphasising the balance between architecture and nature with tranquil atmosphere, and pushing the boundaries of design.

Henry Flagler's opulent Hotel Ponce de Leon drew worldwide praise from the day its elaborately carved doors opened in 1888. Built in the Spanish Renaissance Revival style, the architectural and engineering marvel featured the talents of a team of renowned artisans, including the designs of architects John Carrere, Thomas Hastings, and Bernard Maybeck, electricity by Thomas Edison, and interior decoration and stained glass windows by Louis Tiffany. Hotel Ponce de Leon is the first work to present the building's complete history and detail its transformation into the heart of Flagler College. Leslee Keys, who assisted in the restoration, recounts the complicated construction of the hotel-the first major structure to be built entirely of poured concrete-and the efforts to preserve it and restore it to its former glory. The methods used at Flagler College have been recognized as best practices in historic preservation and decorative arts conservation, and today the campus is one of Florida's most visited heritage tourism destinations.

This book compiles contemporary designs worldwide that break through the stereotype of doctor's practices as cold and often stressful environments. All projects aim at balancing medical technology and functionality with the need to create a welcoming and comfortable environment for the patients, visitors and staff. Apart from general practitioner's offices, those of dentists and a wide variety of specialists are also presented. The solutions range from practice design in an existing building to entirely new buildings for one or more offices. Doctor's Practices demonstrates today's architectural responses to the complex demands of healthcare ? a very fast-developing field.

University buildings pose an interesting challenge for contemporary architecture. The seven liberal arts have long ago been joined by countless other faculties and departments. This branching out of knowledge requires a specialization of its structures which play a role in the transmission of learning and the creation of new knowledge. In addition, subjects of interconnectivity and sustainability on campuses step into focus together with the multimedia requirements imposed by modern universities. For both teaching and research it is essential to enable the preservation and access to the constantly growing knowledge of mankind. This volume presents about 70 recents projects from around the world by means of texts, photos and drawings.

"The Delirious Museum" gives a new interpretation of the relationship between the museum and the city in the twenty-first century. It presents an original view of the idea of the museum, proposing that it is, or should be, both a repository of the artefacts of the past and a continuation of the city street in the present. Storrie re-views our experience of the city and of the museum taking a journey that begins in the Louvre and continues through Paris, London, Los Angeles and Las Vegas, re-imagining the possibilities for museums and their displays and re-examining the blurred boundaries between museums and the cities around them. On his quest for The Delirious Museum he visits the museum architecture of Soane and Libeskind, the exhibitions of Lissitsky and Kiesler and the work of such artists as Duchamp and Warhol, taking readers on a stimulating journey through cities and museums worldwide. Serious general readers interested in urban culture, design and architecture, as well as professional architects, cultural studies and museology academics will enjoy the book, which is well illustrated in black and white.

This second volume in the series "Collection of Architecture" that started very successfully with "1000x European Architecture" presents the diversity of European hotels today. The wide range of hotel types is shown with opulent illustrations, plans and drawings as well as a short description. "1000x European Hotels" reveals what unites and divides European hotels by exploring its variety with regard to style, architecture and design: famous Grand Hotels, stylish business accommodations, innovative youth hostels, superb country houses, romantic bed & breakfasts, extravagant luxury hotels as well as quite unusual places such as a timbered tree house, a former jail, a cave or a repurposed drain pipe.

Text in English and Spanish. In 2000 the Autostadt, a show park for the Volkswagen group and its subsidiaries from Seat via Audi to Bentley and Lamborghini, opened in Wolfsburg. Alfredo Arribas designed the Seat Pavilion, and has brought off the brilliant trick of making an essentially reticent building into the focal point of the Autostadt. The structure is like a snail shell, forbidding and closed with the exception of a band of windows that seems to rise directly out of the surface of the lake on the Autostadt site. The irregular curve of the ground plan is reminiscent of a leaf or other forms borrowed from nature. Access is via two elegant ramps floating over the water and the site and thrusting straight into the centre of the pavilion: a homage to the old master, Le Corbusier. And then inside we are confronted with a surprise-packed exhibition landscape: a dazzling synthesis of acoustic and visual impressions that cast their spell over visitors as they walk round. Alfredo Arribas was a provocative newcomer on the architectural scene in Barcelona in the late eighties and is now an international success. He was probably predestined for this job like no other architect. He showed a highly personal flair for presenting spaces and goods from the outset, attracting early attention with his designs for discotheques and bars like the enormous Louie Vega (1988) discotheque, or the Torres de Avila (1990). The expressive tower for the Marugame Hirai Museum (1993) is also part of this creative phase, where forms did not necessarily have to be justified by functional logic. But Arribas' architecture changed into its business suit for the very next commissions. For example, even bankers in their pin-stripe suits feel perfectly at home in the cafeteria he designed for Norman Foster's Commerzbank headquarters in Frankfurt. Arribas is working on two large projects at present: a family entertainment centre in Bari and the Cite des Musiques Vivantes in Montlucon.

Test in German and English. The Embassies of the Nordic Countries in Berlin are political architecture of a particular kind, political architecture that does not assert a claim to power, but that is a self-portrait in the best sense of the word. The vision, which is already a reality on the level of architecture and design, aims to combine individual interests within a greater whole: the ancient democratic ideal that has perhaps never been expressed in a more beautiful and convincing gesture than in this combination of five countries, six buildings and six teams of architects, chosen in a European competition for the central design concept and in five national competitions for the individual buildings. It is certainly no coincidence that such convincing symbolism of joint responsibility and action is not a success due to one of the European mammoth institutions but to the comparatively small Nordic countries Denmark, Sweden, Norway, Finland and Iceland. Perhaps it is not even a coincidence that the concept of the individual sections that form an individual whole and while doing so preserve their individual quality as well as the unity comes from a young Viennese architectural practice whose principal protagonists, the Austrian Alfred Berger and the Finn Tiina Parkkinen, think and work across boundaries. A crucial factor was the location in Berlin, because it was only here that the new buildings for all five embassies could be commissioned at once. Berger+ Parkkinen's architecture risks striking breaches of boundaries, not just between the countries involved but also between urban development and architecture, and technology and art. Urban space is an integral part of the embassy complex, to the same extent as nature. Materials and furniture indicate different cultures. And yet the composition, for all its openness and transparency, works to exact spatial sequences and precise external lines for the building, within the 226 metres long and 15 metres high band of meandering copper. The idea that the work of Alvar Aalto is being unexpectedly continued here comes involuntarily to mind.

Im sudlichen Graz, dort, wo Einfamilienhauser, Gewerbe und Industrie aufeinandertreffen, entstand im Rahmen des Grazer Kulturjahres 2020 der Demonstrativbau Club Hybrid. Mit wechselnden Gasten und taglichem Programm wurde der Club im Sommer 2021 zur Werkstatt und Buhne in der urbanen Nebelzone der Stadt. Es wurde experimentiert, ausgestellt und diskutiert. Club Hybrid. Ein Sommer in der Nebelzone bringt die beteiligten Menschen, Objekte, Raume und Ereignisse in einem Buch zusammen. Entlang von sechs Themenfeldern wird die Genese des Clubs von der Standortsuche uber die Architekturkonstruktion bis zur Programmfindung erzahlt. Gastbeitrage von Bernd Vlay, Agency Apero, Emily Trummer, Rudolf Kohoutek und Oliver Elser erganzen und vertiefen einzelne Themen und blicken uber den Rand des Projekts hinaus. Das Cover des Buches ist zugleich ein Poster.

"Gibt es denn ein schoeneres Bild fur den Frieden unter den Menschen als den Lesesaal einer grossen Bibliothek?", fragt Peter von Matt in seinem Beitrag fur dieses Buch. Mit dem Bau der Bibliothek der Humboldt-Universitat zu Berlin hat Max Dudler einen ebenso modernen wie zeitlosen Ort fur die Bucher und das Lesen geschaffen. Seine Architektur hat weit uber Berlins Grenzen hinaus aufmerken lassen und erlebt eine bis heute anhaltende Begeisterung vonseiten der Nutzer*innen. Bibliothek dokumentiert die Ideen, die diesen Bau pragen, widmet sich aber auch allgemein der Rolle von Bibliotheken und insbesondere der Architektur, die den Buchern und ihren Leser*innen einen adaquaten Raum schafft. Die Schwarzweissfotografien von Barbara Klemm verdeutlichen dies auf geradezu magische Weise. Sie fangen die intensive und zugleich lebendige Arbeitsatmosphare in den Raumen der Bibliothek ein. Einen spannungsvollen Kontrast schaffen die ruhigen, strengen Farbfotografien von Stefan Muller, indem sie sich ganz auf die Architektur des Gebaudes konzentrieren. Mit Texten von Joerg Baberowski, Hartmut Boehme, Milan Bulaty, Max Dudler, Martin Mosebach, Peter von Matt sowie Fotografien von Barbara Klemm und Stefan Muller "'Bibliothek' ist ein zauberhafter Bildband und klug gemacht dazu, setzt er doch Dudlers Anspruch auf eine 'allgegenwartige Dialektik von Innen und Aussen' auch fur das Bild um, das wir uns jetzt von der Bibliothek machen koennen." Andreas Platthaus in der Frankfurter Allgemeinen Zeitung zur 2010 im Berlin Verlag erschienenen Erstauflage des Buchs

Showing a presence and highlighting the significance of female architects for contemporary building culture is the guiding principle of the show Architektinnen BDA, the Association of German Architects Berlin's contribution to the festival Women in Architecture 2021. The curators bring to light the accrued female capacity in the BDA-as a community of individual minds, united by their commitment to the profession of architecture and building culture. Around 50 female BDA architects and affiliated members responded to the curatorial team's open call for presenting a selection of their works. The publication accompanies the exhibition at the BDA Galerie Berlin, alongside a poster campaign in public space. 50 short interviews give insight into the position and works of the architects, and complement the selected architectural contributions.

Landscapes are forged by many forces and are dynamic, not static. Yet most landscape designs are designed as static; that is, they are designed not to change substantially for 20-50 years. As cities become the dominant living space for humans, allowing non-human forces to contribute to our designs as landscape architects will make for more resilient landscapes and a healthier planet. Making these dynamic landscapes with our non-human partners will require a new landscape aesthetic, changing the public perception of "landscape," and changing maintenance practices. Dynamic Geographies seeks to address these perceptions with a series of our projects as examples. The book is divided into three segments of overlapping geographies: Invisible geographies, Layered geographies, and Unleashing geographies.

This book details how Building Information Modelling is being successfully deployed in the planning, design, construction and future operation of the Istanbul New Airport, a mega-scale construction project incorporating a varying mix of infrastructures including terminals, runways, passenger gates, car parks, railways and roads. The book demonstrates how Airport Building Information Modelling (ABIM) is being used to: * facilitate collaboration, cooperation and integrated project delivery * manage subcontractors and eliminate cost over-runs * reduce waste on site and enhance overall quality * connect people in a virtual environment to encourage collaborative working * provide clients with an effective interface for lifecycle management including: design development, construction documentation, construction phases and BIM and Big Data Integration for future facilities management The book presents a best practice BIM project, demonstrating concurrent engineering, lean processes, collaborative design and construction, and effective construction management. Moreover, the book provides a visionary exemplar for the further use of BIM technologies in civil engineering projects including highways, railways and others on the way towards the Smart City vision. It is essential reading for all Built Environment and Engineering stakeholders.

Text in German & English. Dahlem has developed in two different ways since the early years of the 20th century. An important scientific centre emerged on the site of this former royal territory south-west of Berlin, alongside a suburban villa colony. Elite research institutes were established in Dahlem, with the intention of creating a "German Oxford", including the first institutes for the Kaiser-Wilhelm-Gesellschaft, founded in 1911. Then Dahlem was chosen as the location for the Freie Universitat Berlin after the Second World War. The Max-Planck-Gesellschaft commissioned a new building in these surroundings in order to provide the Institute for the History of Science, dating from 1994, with accommodation appropriate to its needs. The building was erected in 2004/5 to a competition design by the Stuttgart architects Marion Dietrich-Schake, Hans-Jurgen Dietrich and Thomas Tafel (who left the team after drawing up the planning application). The buildings adjacent to the plot, which is bordered by streets on three sides, date mainly from the 1930s. Alongside the institutional buildings detached homes determine the local character. The Max-Planck-Institut reflects the dimensions and structure of its surroundings. Its height relates to the two-storey homes; the building masses were structured as eight connected, pavilion-like sections, which means that, despite its size, the institute is reticent in its impact on the urban space. The symmetrical complex is built around a spacious courtyard with old chestnut trees. The library is the key element of the building, and so was arranged around all four sides of the inner courtyard. Extensively glazed internal and external walls afford a wide range of views into the library rooms. This ensures a constant presence for the institute's most important set of working tools, and at the same time makes it accessible over very short distances from various parts of the building.

As a new generation of educational environments are designed and built, this Design Manual illustrates the most up-to-date educational strategies and how they are realized in built form. Concepts such as working with small teams of students, interdisciplinary learning and inclusion of SEN students all require specific spation solutions. This specialized field is explained in all its relevant aspects such as role in the community, outdoor spaces, sustainability and technical requirements such as lighting and acoustics. With over 70 case studies from Europe, North America and the Pacific Region, this is an essential guide for architects involved in the design of schools and kindergartens. For the revised edition six groundbreaking new best-practice examples were selected such as Primary School Niederheide near Berlin, the first plus-energy school in Germany, the education center "Tor zur Welt", one of the key projects of building exhibition IBA 2013 in Hamburg and "Children's House for All" by Maki Onisha and Toyo Ito, conceived for use in refugee camps.

As the location for reception and waiting, the hotel lobby is the most important and prestigious area of a hotel. This is where the first contact is made with the guests, anything that happens here has a strong influence on whether their stay will be enjoyable. As with hotel restaurants and bars, the lobby is a place to both relax and communicate. This volume presents 101 different concepts by Corinna Kretschmar-Joehnk and Peter Joehnk, two renowned specialists in the field of hospitality design. According to the credo "Design follows Atmosphere" they find individual design solutions for the most diverse hotels in the world to create the atmosphere the user desire. The lobbies, bars and restaurants depicted include new designs in historic Grand Hotels, creative solutions for budget hotels as well as hospitality spaces for award-winning design hotels.