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Imperial Islands - Art, Architecture, and Visual Experience in the US Insular Empire after 1898 (Paperback)
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Imperial Islands - Art, Architecture, and Visual Experience in the US Insular Empire after 1898 (Paperback)
Series: Perspectives on the Global Past
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When the USS Maine mysteriously exploded in Havana’s harbor on
February 15, 1898, the United States joined local rebel forces to
avenge the Maine and "liberate" Cuba from the Spanish empire.
"Remember the Maine! To Hell with Spain!" So went the popular
slogan. Little did the Cubans know that the United States was not
going to give them freedom—in less than a year the American flag
replaced the Spanish flag over the various island colonies of Cuba,
Guam, Puerto Rico, and the Philippines. Spurred by military
successes and dreams of an island empire, the US annexed Hawai‘i
that same year, even establishing island colonies throughout
Micronesia and the Antilles. With the new governmental orders of
creating new art, architecture, monuments, and infrastructure from
the United States, the island cultures of the Caribbean and Pacific
were now caught in a strategic scope of a growing imperial power.
These spatial and visual objects created a visible confrontation
between local indigenous, African, Asian, Spanish, and US imperial
expressions. These material and visual histories often go
unacknowledged, but serve as uncomplicated "proof" for the visible
confrontation between the US and the new island territories. The
essays in this volume contribute to an important art-historical,
visual cultural, architectural, and materialist critique of a
growing body of scholarship on the US Empire and the War of 1898.
Imperial Islands seeks to reimagine the history and cultural
politics of art, architecture, and visual experience in the US
insular context. The authors of this volume propose a new direction
of visual culture and spatial experience through nuanced terrains
for writing, envisioning, and revising US-American, Caribbean, and
Pacific histories. These original essays address the role of art
and architecture in expressions of state power; racialized and
gendered representations of the United States and its island
colonies; and forms of resistance to US cultural presence.
Featuring interdisciplinary approaches, Imperial Islands offers
readers a new way of learning the ongoing significance of vision
and experience in the US empire today, particularly for Caribbean,
Latinx, Pilipinx, and Pacific Island communities.
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