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Pathetic Symphony - Biographical Novel About Tchaikovsky (Paperback, New edition)
Loot Price: R656
Discovery Miles 6 560
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Pathetic Symphony - Biographical Novel About Tchaikovsky (Paperback, New edition)
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Like Mephisto, Pathetic Symphony is a novel about important artists
and their milieu. Drawing his material from documented sources, and
without ever distorting historical truth or sacrificing
biographical accuracy for the sake of the narrative, Klaus Mann
here presents a moving and unforgettable story of a tortured genius
of music -- Peter llych Tchaikovsky. When the book was first
published in 1948, The New York Times praised its "erotic passages
and the recreation of the European musical society -- Brahms,
Wagner, Grieg, Rubinstein, Mussorgsky walk through the pages."
Inextricably bound up with Tchaikovsky's life are people who
provide the rich orchestration of the novel: his "beloved friend"
and mysterious benefactress, Madame von Meek, whom he never met
personally; Desiree Artot, the Belgian singer, with whom the young,
struggling composer believed himself madly in love; Antonia
Miliukov, the pathetic partner in Tchaikovsky's short-lived and
tragic marriage; and Tchaikovsky's nephew Vladimir Davydov, whose
youth and charm captured the heart of the older man. Tchaikovsky's
trials and triumphs, adventures and strange compulsions,
maladjustments and neuroses inspired Klaus Mann's admiration and
compassion. Both were cosmopolitans who spent more time abroad than
in their own countries; both raised the suspicion and envy of their
contemporaries at home. According to Mann, Tchaikovsky was the
prototype of a man without a country. In Russia, Tchaikovsky's
works were criticized as being too Western, the Germans accused him
of Asiatic primitivity, and the Parisians found him overly
Germanic. Mann wrote Tchaikovsky's story with the conviction of
personal identification: "I could describe all of it; none of it
was alien to me," he wrote in The Turning Point. Christopher
Isherwood wrote of Mann, his friend, "From his earliest days, he
inhabited the circles of the brilliant and famous. He experienced
pleasure and success at an age when one is best able to enjoy them.
He traveled widely and continuously -- so much so that the huge
upheaval of the Emigration [from Nazi Germany to Holland and then
to the U.S.] seemed, as far as he was concerned, to be no more than
an extension of his normal way of living. During the last sixteen
years of his life, Klaus produced an impressive body of work --
novels, non-fiction books, and innumerable articles -- under
circumstances that would have reduced most writers to impotent
silence."
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