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Jammin' at the Margins (Paperback, New edition)
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Jammin' at the Margins (Paperback, New edition)
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American cinema has long been fascinated by jazz and jazz
musicians. Yet most jazz films aren't really about jazz. Rather, as
Krin Gabbard shows, they create images of racial and sexual
identity, many of which have become inseparable from popular
notions of the music itself. In "Jammin' at the Margins, " Gabbard
scrutinizes these films, exploring the fundamental obsessions that
American culture has brought to jazz in the cinema.
Gabbard's close look at jazz film biographies, from "The Jazz
Singer" to "Bird, " reveals Hollywood's reluctance to acknowledge
black subjectivity. Black and even white jazz artists have become
vehicles for familiar Hollywood conceptions of race, gender, and
sexuality. Even Scorsese's "New York, New York" and Spike Lee's
"Mo' Better Blues" have failed to disentangle themselves from
entrenched stereotypes and conventions.
Gabbard also examines Hollywood's confrontation with jazz as an
elite art form, and the role of the jazz trumpet as a crucial
signifier of masculinity. Finally, he considers the acting careers
of Louis Armstrong, Nat King Cole, and Hoagy Carmichael; Duke
Ellington's extraordinary work in films from 1929 until the late
1960s; and the forgotten career of Kay Kyser, star of nine
Hollywood films and leader of a popular swing band.
This insightful look at the marriage of jazz and film is a major
contribution to film, jazz, and cultural studies.
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