Stories of the volcano goddess Pele and her youngest sister
Hi'iaka, patron of hula, are most familiar as a form of literary
colonialism--first translated by missionary descendants and others,
then co-opted by Hollywood and the tourist industry. But far from
quaint tales for amusement, the Pele and Hi'iaka literature
published between the 1860s and 1930 carried coded political
meaning for the Hawaiian people at a time of great upheaval.
"Voices of Fire "recovers the lost and often-suppressed
significance of this literature, restoring it to its primary place
in Hawaiian culture.
Ku'ualoha ho'omanawanui takes up "mo'olelo" (histories, stories,
narratives), "mele" (poetry, songs), "oli" (chants), and "hula"
(dances) as they were conveyed by dozens of authors over a
tumultuous sixty-eight-year period characterized by population
collapse, land alienation, economic exploitation, and military
occupation. Her examination shows how the Pele and Hi'iaka legends
acted as a framework for a Native sense of community. Freeing the
"mo'olelo" and "mele" from colonial stereotypes and
misappropriations, V"oices of Fire" establishes a literary
"mo'okū'auhau," or genealogy, that provides a view of the ancestral
literature in its indigenous contexts.
The first book-length analysis of Pele and Hi'iaka literature
written by a Native Hawaiian scholar, "Voices of Fire" compellingly
lays the groundwork for a larger conversation of Native American
literary nationalism.
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