As social, locative, and mobile media render the intimate public
and the public intimate, this volume interrogates how this
phenomenon impacts art practice and politics. Contributors bring
together the worlds of art and media culture to rethink their
intersections in light of participatory social media. By focusing
upon the Asia-Pacific region, they seek to examine how regionalism
and locality affect global circuits of culture. The book also
offers a set of theoretical frameworks and methodological paradigms
for thinking about contemporary art practice more generally.
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