"Righteous Violence" examines the struggles with the violence of
slavery and revolution that engaged the imaginations of seven
nineteenth-century American writers--Margaret Fuller, Ralph Waldo
Emerson, Frederick Douglass, Henry David Thoreau, Louisa May
Alcott, Nathaniel Hawthorne, and Herman Melville.
These authors responded not only to the state terror of slavery
and the Civil War but also to more problematic violent acts,
including unlawful revolts, insurrections, riots, and strikes that
resulted in bloodshed and death. Rather than position these writers
for or against the struggle for liberty, Larry J. Reynolds examines
the profoundly contingent and morally complex perspectives of each
author. Tracing the shifting and troubled moral arguments in their
work, Reynolds shows that these writers, though committed to peace
and civil order, at times succumbed to bloodlust, even while they
expressed ambivalence about the very violence they approved. For
many of these authors, the figure of John Brown loomed large as an
influence and a challenge. Reynolds examines key works such as
Fuller's European dispatches, Emerson's political lectures,
Douglass's novella "The Heroic Slave," Thoreau's "Walden,"
Alcott's" Moods," Hawthorne's late unfinished romances, and
Melville's" Billy Budd."
In addition to demonstrating the centrality of righteous
violence to the American Renaissance, this study deepens and
complicates our understanding of political violence beyond the
dichotomies of revolution and murder, liberty and oppression, good
and evil.
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