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Basic Musical Library, P Series, 1-1000 (Hardcover, New)
Loot Price: R2,619
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Basic Musical Library, P Series, 1-1000 (Hardcover, New)
Series: Discographies: Association for Recorded Sound Collections Discographic Reference
Expected to ship within 10 - 15 working days
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In 1943 the Armed Forces Radio Service began transmitting programs
that linked the thousands of American military personnel and
civilians stationed overseas to the United States. This definitive
study provides discographical data for the first 1,000 recordings
of the AFRS Basic Musical Library, P (Popular) Series. This series
of recordings of popular, jazz, and classical music constituted a
permanent music library at every military radio station and allowed
AFRS personnel at the numerous broadcast facilities around the
world to act as disc jockeys, playing the most popular and
requested songs and artists for their audiences--principally
American GIs. Some of the many orchestras and singers represented
in the collection include Bing Crosby, Harry James, Count Basie,
Cab Calloway, the Andrews Sisters, Frank Sinatra, and Peggy Lee.
The sources of the recordings were variable and included commercial
recordings (occasionally alternate takes) principally from
Columbia, Decca, and Victor; radio broadcasts (often from dress
rehearsals); concerts; and AFRS's own recording sessions. Larry F.
Kiner and Harry Mackenzie have meticulously and comprehensively
researched the AFRS files to produce this first complete listing of
these recordings and their compilation is also the first to
identify the many commercial record issues that have been derived
from the series. Following the introduction that advises readers
how to use the book and also explains its format and abbreviations,
the 1,000-entry discography begins. Each entry lists the AFRS Basic
Musical Library P Series catalog number; the matrix number; take
number as shown on the ARFS label; song title; artist
identification; running time in minutes; source of the take,
including exact date and geographical location, when known; and
size, speed and issue data. Two appendixes center on the most
popular artists and most popular songs of the collection and two
separate indexes list articles and songs to facilitate ease of
location. Of special interest are the over three dozen label
illustrations. This important source of information on American
popular songs, artists, and recordings of the 1943 to 1947 period
will be welcomed by musical scholars of the World War II era and by
those with a penchant for American popular music.
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