Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespearean Pragmatism (Hardcover, New)
Loot Price: R1,522
Discovery Miles 15 220
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Shakespearean Pragmatism (Hardcover, New)
Expected to ship within 12 - 17 working days
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Just as Shakespeare's theatre was an economic gamble, subject to
the workings of a market, so the plays themselves submit actions,
persons, and motives to an audience's judgement. Such a theatrical
economy, Lars Engle suggests, provides a model for the way in which
truth is determined and assessed in the world at large - a model
much like that offered by contemporary pragmatism. To Engle, the
problems of worth, price, and value that appear so frequently in
Shakespeare's works reveal a playwright dramatizing the negotiable
nature of perception and belief - in short, the nature of his
audience's purchase on reality. This innovative argument views
Shakespeare in the context of contemporary pragmatism and to shows
that Shakespeare in many ways anticipated pragmatism as it has been
developed in the thought of Richard Rorty, Barbara Herrnstein
Smith, and others. With detailed reference to the sonnets and
plays, Engle explores Shakespeare's tendency to treat knowledge,
truth, and certainty as relatively stable goods within a theatrical
economy of social interaction. He shows the playwright recasting
kingship, aristocracy, and poetic immortality in pragmatic terms.
As attentive to history as it is to contemporary theory, this book
mediates between current and traditional accounts of Shakespeare.
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