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Kalinga Tattoo - Ancient & Modern Expressions of the Tribal (German, Hardcover)
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Kalinga Tattoo - Ancient & Modern Expressions of the Tribal (German, Hardcover)
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Text in English & German. This is a photographic masterpiece
that explores the vanishing art of Kalinga tribal tattooing in the
remote mountains of the northern Philippines. Combining the
visionary talents of numerous international photographers and the
words and stories of nearly fifty Kalinga elders, Kalinga Tattoo is
the first book to tell the story of this incredibly rich tradition
of indigenous body art that is believed to be 1,000 years old.
Here's a rare trove of tattoo motifs, variations and
interpretations which can reveal new perspectives for every
interested tattooist. The journey begins with tattoo anthropologist
Dr Lars Krutak's first encounter with the last Kalinga tattoo
artist, the 91-year-old Whang-Od, and is followed by the moving
poetry and song of tattooed Kalinga author and elder Natividad
Sugguiyao. Sugguiyao's narratives provide an insider's perspective
regarding the history and significance of Kalinga batok (tattoo),
and they establish new ways of reading the messages encoded in this
ancient art form of the skin. Krutak continues with an historical
exploration entitled "History of Kalinga Tattoo Art" that focuses
on those cultural institutions that were deeply intertwined with
Kalinga tattooing itself. Dramatic images of tattooed men and women
taken over the last 100 years and colourful village scenes and
landscapes accentuate the chapter. Lars' detailed study into the
significance of Kalinga tattooing proceeds with an illustrated
discussion of the artistic motifs that comprise Kalinga tattoo art.
This chapter, "Kalinga Tattooing Motifs" is an absolute must read
for anyone seeking knowledge (spiritual or otherwise) of the real
roots of tribal tattooing practices that are largely disappearing
around the world today. Because warrior culture, headhunting, and
religious ritual permeated nearly every facet of Kalinga tattooing
practice, "Warrior Culture of the Kalinga" focuses on these
customs. Krutak recounts his experiences with Kalinga warriors (old
and new) and breathes life into long-forgotten Kalinga literature
revolving around human sacrifice and other ceremonies associated
with the human hunt. The nature of the research is outstanding and
wonderfully detailed, and the words (and actions) of his Kalinga
informants are truly unforgettable. What follows these texts is a
remarkably beautiful photographic exhibition of the last generation
of Kalinga warriors in vivid colour who earned their tattoos on the
field of battle. "The Last Kalinga Tattoo Artist" looks at the life
and work of Whang-Od, the last Kalinga mambabatok or tattooist, who
dedicated her life to the art of her ancestors. Krutak, who lived
with the master artisan for nearly two weeks, exposes for the first
time in history the biography of this unique woman who for over
seventy years has plied the skins of countless generations of
Kalinga men and women with thorns and other natural tools. Finally,
"Mark of the Four Waves Tribe" documents the artistic achievements
of a growing number of young Filipino-Americans who since 1998 have
each made a conscious individual effort to revive the indigenous
tattooing traditions of the Kalinga and other tribal peoples of the
Philippines. Whether through hand-tapping, hand-poking, or machined
work, the Tribe's dedication to "The Movement" has resulted in the
revitalisation of timeworn tribal designs with new design concepts
that are beginning to approach the longstanding accomplishments of
Polynesian artists who guided the tattoo renaissance across the
Pacific in the early 1980s. For Krutak and Sugguiyao, the Tribe
represents the very best of contemporary tribal tattoo culture
because they dynamically express the enduring strength of
time-tested indelible traditions that firmly anchor indigenous and
modern concepts of identity on the skin for all to see.
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