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The Differentiation of Modernism - Postwar German Media Arts (Hardcover, New)
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The Differentiation of Modernism - Postwar German Media Arts (Hardcover, New)
Series: Studies in German Literature Linguistics and Culture
Expected to ship within 12 - 17 working days
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The Differentiation of Modernism analyzes the phenomenon of
intermediality in German radio plays, film music, and electronic
music of the late modernist period (1945-1980). After 1945, the
purist "medium specificity" of high modernism increasingly yielded
to the mixed forms of intermediality. Theodor Adorno dubbed this
development a "Verfransung," or "fraying of boundaries," between
the arts. TheDifferentiation of Modernism analyzes this phenomenon
in German electronic media arts of the late modernist period
(1945-80): in radio plays, film music, and electronic music. The
first part of the book begins with a chapter on Adorno's theory of
radio as an instrument of democratization, going on to analyze the
relationship of the Hoerspiel or radio play to electronic music. In
the second part, on film music, a chapter on Adorno and Eisler's
Composing for the Film sets the parameters for chapters on the film
Das Madchen Rosemarie (1957) and on the music films of Jean-Marie
Straub and Daniele Huillet. The third part examines the music of
Karlheinz Stockhausen and its relationship to radio, abstract
painting, recording technology, and theatrical happenings. The
book's central notion of the "differentiation of culture" suggests
that late modernism, unlike high modernism, accepted the
contingency of modern mass-media driven society and sought to find
new forms for it. Larson Powell is Curator's Professor of Film
Studies at University of Missouri, Kansas City. He is the author of
The Technological Unconscious in German Modernist Literature
(Camden House, 2008).
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