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Nazi Film Melodrama (Paperback, New)
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Nazi Film Melodrama (Paperback, New)
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Cultural productions in the Third Reich often served explicit
propaganda functions of legitimating racism and glorifying war and
militarism. Likewise, the proliferation of domestic and romance
films in Nazi Germany also represented an ideological stance.
Rather than reinforcing traditional gender role divisions and the
status quo of the nuclear family, these films were much more
permissive about desire and sexuality than previously assumed.
Focusing on German romance films, domestic melodramas, and home
front films from 1933 to 1945, Nazi Film Melodrama shows how
melodramatic elements in Nazi cinema functioned as part of a
project to move affect, body, and desire beyond the confines of
bourgeois culture and participate in a curious modernization of
sexuality engineered to advance the imperialist goals of the Third
Reich. Offering a comparative analysis of Nazi productions with
classical Hollywood films of the same era, Laura Heins argues that
German fascist melodramas differed from their American counterparts
in their negative views of domesticity and in their use of a more
explicit antibourgeois rhetoric. Nazi melodramas, film writing, and
popular media appealed to viewers by promoting liberation from
conventional sexual morality and familial structures, presenting
the Nazi state and the individual as dynamic and revolutionary.
Some spectators objected to the eroticization and modernization of
the public sphere under Nazism, however, pitting Joseph Goebbels'
Ministry of Propaganda against more conservative film audiences in
a war over the very status of domesticity and the shape of the
family. Drawing on extensive archival research, this perceptive
study highlights the seemingly contradictory aspects of gender
representation and sexual morality in Nazi-era cinema.
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