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Cultural Heritage - Critical Concepts in Media and Cultural Studies (Hardcover)
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Cultural Heritage - Critical Concepts in Media and Cultural Studies (Hardcover)
Series: Critical Concepts in Media and Cultural Studies
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Cultural Heritage is a new title in the Routledge Major Works
series, Critical Concepts in Media and Cultural Studies. Edited by
Laurajane Smith of the University of York, UK, this four-volume
collection brings together the essential Anglophone literature of
heritage studies. Encompassing both contemporary material and
material of historical significance from the nineteenth and early
twentieth centuries, the collection is explicitly
interdisciplinary, with research drawn not only from the three
disciplines of archaeology, architecture and history traditionally
associated with material heritage, but also from subjects such as
geography, anthropology, museology, sociology, cultural studies,
performance studies and tourism studies. As an emerging field of
academic enquiry, the sheer scale of the growth in research output
in heritage studies makes this collection especially timely, and
meets the demand for a comprehensive reference work to give greater
clarity and focus to this fast-developing area. Its value also lies
in its bringing together the best scholarship from the various
disciplines that are newly turning their attention to issues
relating to 'heritage', as well as in identifying cultural
heritage's key themes and debates. The first volume ('History and
Concepts') in the collection describes the development of the
modern concern with conserving and preserving material from the
past-often conceptualized as 'heritage'. It also gathers the best
research about the key concepts and principles underlying heritage
management and conservation practices. Volume 2 ('Critical Concepts
in Heritage') traces the dissonant and contested nature of heritage
practices and the various attempts that have been made to theorize
heritage conservation, curation and preservation practices. The
volume contains work on the debates over indigenous heritage,
national identity, and memory and heritage, together with papers
that attempt to explain and contextualize these debates. Volume 3
('Heritage as an Industry') collects the most significant
scholarship on issues about the so-called 'commodification' of the
past and the creation of 'consensual histories', while Volume 4
('Interpretation and Community') contains the key material on the
practice of heritage interpretation and community heritage
projects, as well as work on the developing debates about the
nature of intangible heritage. The collected materials are
supplemented by an introduction to each volume, newly written by
the editor, together with a full index. It is destined to be
welcomed by scholars and teachers of cultural heritage-and those
working in allied disciplines-as an invaluable reference resource.
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