In 1597 anti-theatricalist Stephen Gosson made the curious remark
that theatre 'effeminized' the mind. Four years later Phillip
Stubbes claimed that male actors who wore women's clothing could
literally 'adulterate' male gender and fifty years after this in a
tract which may have hastened the closing of the theatres, William
Prynne described a man whom women's clothing had literally caused
to 'degenerate' into a women. How can we account for such fears of
effeminization and what did Renaissance playwrights do with such a
legacy? Laura Levine examines the ways in which Shakespeare,
Marlowe and Jonson addressed a generation's anxieties about gender
and the stage and identifies the way the same 'magical thinking'
informed documents we much more readily associate with extreme
forms of cultural paranoia: documents dedicated to the
extermination of witches.
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