In ancient Athens, where freedom of speech derived from the
power of male citizenship, women's voices were seldom heard in
public. Female speech was more often represented in theatrical
productions through women characters written and enacted by men. In
"Spoken Like a Woman," the first book-length study of women's
speech in classical drama, Laura McClure explores the discursive
practices attributed to women of fifth-century b.c. Greece and to
what extent these representations reflected a larger reality.
Examining tragedies and comedies by a variety of authors, she
illustrates how the dramatic poets exploited speech conventions
among both women and men to construct characters and to convey
urgent social and political issues.
From gossip to seductive persuasion, women's verbal strategies
in the theater potentially subverted social and political
hierarchy, McClure argues, whether the women characters were
overtly or covertly duplicitous, in pursuit of adultery, or
imitating male orators. Such characterization helped justify the
regulation of women's speech in the democratic polis. The fact that
women's verbal strategies were also used to portray male
transvestites and manipulators, however, suggests that a greater
threat of subversion lay among the spectators' own ranks, among men
of uncertain birth and unscrupulous intent, such as demagogues
skilled in the art of persuasion. Traditionally viewed as outsiders
with ambiguous loyalties, deceitful and tireless in their pursuit
of eros, women provided the dramatic poets with a vehicle for
illustrating the dangerous consequences of political power placed
in the wrong hands.
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