Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Electronic & video art
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Enfoldment and Infinity - An Islamic Genealogy of New Media Art (Paperback)
Loot Price: R1,504
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Enfoldment and Infinity - An Islamic Genealogy of New Media Art (Paperback)
Series: Leonardo
Expected to ship within 10 - 15 working days
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Tracing the connections-both visual and philosophical-between new
media art and classical Islamic art. In both classical Islamic art
and contemporary new media art, one point can unfold to reveal an
entire universe. A fourteenth-century dome decorated with geometric
complexity and a new media work that shapes a dome from programmed
beams of light: both can inspire feelings of immersion and
transcendence. In Enfoldment and Infinity, Laura Marks traces the
strong similarities, visual and philosophical, between these two
kinds of art. Her argument is more than metaphorical; she shows
that the "Islamic" quality of modern and new media art is a latent,
deeply enfolded, historical inheritance from Islamic art and
thought. Marks proposes an aesthetics of unfolding and enfolding in
which image, information, and the infinite interact: image is an
interface to information, and information (such as computer code or
the words of the Qur'an) is an interface to the infinite. After
demonstrating historically how Islamic aesthetics traveled into
Western art, Marks draws explicit parallels between works of
classical Islamic art and new media art, describing texts that
burst into image, lines that multiply to form fractal spaces,
"nonorganic life" in carpets and algorithms, and other shared
concepts and images. Islamic philosophy, she suggests, can offer
fruitful ways of understanding contemporary art.
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