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Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Oriental art
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God Pictures in Korean Contexts - The Ownership and Meaning of Shaman Paintings (Hardcover)
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God Pictures in Korean Contexts - The Ownership and Meaning of Shaman Paintings (Hardcover)
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Shamans depicted walking on knives, fairies shown riding on clouds,
kings astride dragon mounts: some find such pictures unsettling,
some charming. Pursued by collectors, venerated as the seats of
gods, Korean shaman paintings are all of these things. Laurel
Kendall, Jongsung Yang, and Yul Soo Yoon explore what it is that
makes these works magical or sacred-more than """"just
paintings."""" What does it mean for a picture to carry the trace
of a god? Once animated and revered, can it ever be a mere painting
again? How have shaman paintings been revalued as art? Do
artfulness and magic ever intersect? Is the market value of a
painting influenced by whether or not it was once a sacred object?
Navigating the journey shaman paintings make from painters' studios
to shaman shrines to private collections and museums, the three
authors deftly navigate the borderland between scholarly interests
in the production and consumption of material religion and the
consumption and circulation of art. Illustrated with sixty images
in color and black and white, the book offers a new vantage point
on """"the social life of things."""" This is not the story of a
collecting West and a disposing rest: the primary collectors and
commentators on Korean shaman paintings are South Koreans
re-imagining their own past in light of their own modernist
sensibility. It is a tale that must be told together with the
recent history of South Korea and an awareness of the problematic
question of how the paintings are understood by different South
Korean actors-most particularly the shamans and collectors who
share a common language and sometimes meet face-to-face.
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