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Wagner and the Erotic Impulse (Paperback)
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Wagner and the Erotic Impulse (Paperback)
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Though his image is tarnished today by unrepentant anti-Semitism,
Richard Wagner (1813-1883) was better known in the nineteenth
century for his provocative musical eroticism. In this illuminating
study of the composer and his works, Laurence Dreyfus shows how
Wagner's obsession with sexuality prefigured the composition of
operas such as Tannhauser, Die Walkure, Tristan und Isolde, and
Parsifal. Daring to represent erotic stimulation, passionate
ecstasy, and the torment of sexual desire, Wagner sparked intense
reactions from figures like Baudelaire, Clara Schumann, Nietzsche,
and Nordau, whose verbal tributes and censures disclose what was
transmitted when music represented sex. Wagner himself saw the
cultivation of an erotic high style as central to his art,
especially after devising an anti-philosophical response to
Schopenhauer's "metaphysics of sexual love." A reluctant eroticist,
Wagner masked his personal compulsion to cross-dress in pink satin
and drench himself in rose perfumes while simultaneously
incorporating his silk fetish and love of floral scents into his
librettos. His affection for dominant females and surprising regard
for homosexual love likewise enable some striking portraits in his
operas. In the end, Wagner's achievement was to have fashioned an
oeuvre which explored his sexual yearnings as much as it
conveyed-as never before-how music could act on erotic impulse.
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