Lauri Suurpaa brings together two rigorous methodologies,
Greimassian semiotics and Schenkerian analysis, to provide a unique
perspective on the expressive power of Franz Schubert's song cycle.
Focusing on the final songs, Suurpaa deftly combines textual and
tonal analysis to reveal death as a symbolic presence if not actual
character in the musical narrative. Suurpaa demonstrates the
incongruities between semantic content and musical representation
as it surfaces throughout the final songs. This close reading of
the winter songs, coupled with creative applications of theory and
a thorough history of the poetic and musical genesis of this work,
brings new insights to the study of text-music relationships and
the song cycle."
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