This book is the first English language study of Qian Qianyi
(1582-1664) - a poet and literary critic during the Ming-Qing
dynastic transition. Although Qian s works constitute some of the
greatest achievements in pre-modern Chinese lyric poetry, they have
been largely understudied and are poorly understood. Qian was
reputed for his own aesthetic that changed the character of late
Ming and early Qing poetry. His name, however, was branded with
infamy for his disloyalty to the Ming dynasty when it dissolved.
Consequently, his works were censored by the Qing court and have
been forgotten by most critics until recently.
Lawrence C.H Yim focuses on Qian s poetic theory and practice,
providing a critical study of Qian s theory of poetic-history
(shishi) and a group of poems from the Toubi ji. He also examines
the role played by history in early Qing verse, rethinking the
nature of loyalism and historical memory in seventeenth-century
China. Poetry of the Ming-Qing transition is distinguished by its
manifest historical consciousness and the effort and give meaning
to current historical events, an effort characterized by the pathos
of introspection and mourning for the past..This pathos translates
into what can be called a poetics of Ming loyalism, exemplified and
championed by, intriguingly, the later works of Qian Qianyi
himself.
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