Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
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Classical Music and Postmodern Knowledge (Paperback, New Ed)
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Classical Music and Postmodern Knowledge (Paperback, New Ed)
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A leading cultural theorist and musicologist opens up new
possibilities for understanding mainstream Western art music--the
"classical" music composed between the eighteenth and early
twentieth centuries that is, for many, losing both its prestige and
its appeal. When this music is regarded esoterically, removed from
real-world interests, it increasingly sounds more evasive than
transcendent. Now Lawrence Kramer shows how classical music can
take on new meaning and new life when approached from postmodernist
standpoints. Kramer draws out the musical implications of
contemporary efforts to understand reason, language, and
subjectivity in relation to concrete human activities rather than
to universal principles. Extending the rethinking of musical
expression begun in his earlier Music as Cultural Practice, he
regards music not only as an object that invites aesthetic
reception but also as an activity that vitally shapes the personal,
social, and cultural identities of its listeners. In language
accessible to nonspecialists but informative to specialists, Kramer
provides an original account of the postmodernist ethos, explains
its relationship to music, and explores that relationship in a
series of case studies ranging from Haydn and Mendelssohn to Ives
and Ravel.
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