Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada
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Dada - Zurich, Berlin, Hannover, Cologne, New York, Paris (Hardcover)
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Dada - Zurich, Berlin, Hannover, Cologne, New York, Paris (Hardcover)
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Along with Russian constructivism and surrealism, Dada stands as
one of the three most significant movements of the historical
avant-garde. Born in the heart of Europe in the midst of World War
I, Dada displayed a raucous skepticism about accepted values. Its
embrace of new materials, of collage and assemblage techniques, of
the designation of manufactured objects as art objects as well as
its interest in performance, sound poetry, and manifestos
fundamentally shaped the terms of modern art practice and created
an abiding legacy for postwar art. Yet, while the word Dada has
common currency, few know much about Dada art itself. In contrast
to other key avant-garde movements, there has never been a major
American exhibition that explores Dada specifically in broad view.
"Dada"--the catalogue to the exhibition on view in 2006 at the
National Gallery of Art in Washington and The Museum of Modern Art
in New York presents the hybrid forms of Dada art through an
examination of city centers where Dada emerged: Zurich, Berlin,
Cologne, Hannover, New York, and Paris. Covered here are works by
some 40 artists made in the period from circa 1916, when the
Cabaret Voltaire was founded in Zurich, to 1926, by which time most
of the Dada groups had dispersed or significantly transformed. The
city sections bring together painting, sculpture, photography,
collage, photomontage, prints and graphic work.
Relying on dynamic design and vivid documentary images, "Dada"
takes us through these six cities via topical essays and extensive
plate sections; an illustrated chronology of the movement; witty
chronicles of events in each city center; a selected bibliography;
and biographies of eachartist--accompanied by Dada-era photographs.
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