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The Romance of the Lyric in Nineteenth-Century Women's Poetry - Experiments in Form (Hardcover)
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The Romance of the Lyric in Nineteenth-Century Women's Poetry - Experiments in Form (Hardcover)
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The Romance of the Lyric in Nineteenth-Century Women's Poetry:
Experiments in Form offers a new account of the nature of the lyric
as nineteenth-century women poets developed the form. It offers
fresh assessments of the imaginative and aesthetic complexity of
women's poetry. The monograph seeks to redefine the range and
cultural significance of women's writing using the work of poets
who have not, heretofore, been part of critical accounts of
nineteenth-century lyric poetry. These new voices are set beside
new readings of the poetry of established figures: for example,
Christina Rossetti's Goblin Market and Augusta Webster's "Medea in
Athens" and "Circe." The monograph draws substantially on the
poetry of Rosamund Marriott Watson - who was lost to literary
history before the restoration of her oeuvre through the scholarly
and critical work of Professor Linda K. Hughes - to make the case
that once neglected and lost voices provide new ways of determining
the cultural centrality of women and the poetry they produced in
one of the richest periods of poetic experimentation in the Western
literary tradition. This monograph contends that Watson's poetry
and prose provide new ways of analyzing the complex and frequently
transgressive nature of the lyric engagement of women with folklore
and myth and with the growing understanding in the nineteenth
century of the fragmented, fluid self in general and of the writer
in particular.
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