For more than a century the cinematic western has been America’s
most familiar genre, always teetering on the verge of exhaustion
and yet regularly revived in new forms. Why does this outmoded
vehicle—with the most narrowly based historical setting of any
popular genre—maintain its appeal? In Late Westerns Lee Clark
Mitchell takes a position against those critics looking to attach
“post” to the all-too-familiar genre. For though the frontier
disappeared long ago, though men on horseback have become
commonplace, and though films of all sorts have always,
necessarily, defied generic patterns, the western continues to
enthrall audiences. It does so by engaging narrative expectations
stamped on our collective consciousness so firmly as to integrate
materials that might not seem obviously “western” at all.
Through plot cues, narrative reminders, and even cinematic
frameworks, recent films shape interpretive understanding by
triggering a long-standing familiarity audiences have with the
genre. Mitchell’s critical analysis reveals how these films
engage a thematic and cinematic border-crossing in which their
formal innovations and odd plots succeed deconstructively,
encouraging by allusion, implication, and citation the evocation of
generic meaning from ingredients that otherwise might be
interpreted quite differently. Applying genre theory with close
cinematic readings, Mitchell posits that the western has
essentially been “post” all along.
General
Imprint: |
University of Nebraska Press
|
Country of origin: |
United States |
Series: |
Postwestern Horizons |
Release date: |
November 2018 |
Authors: |
Lee Clark Mitchell
|
Dimensions: |
229 x 152 x 33mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
336 |
ISBN-13: |
978-1-4962-0196-6 |
Categories: |
Books
|
LSN: |
1-4962-0196-5 |
Barcode: |
9781496201966 |
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