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Bootlegging - Romanticism and Copyright in the Music Industry (Hardcover)
Loot Price: R4,919
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Bootlegging - Romanticism and Copyright in the Music Industry (Hardcover)
Series: Published in association with Theory, Culture & Society
Expected to ship within 12 - 17 working days
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'A valuable and distinctive contribution to the penumbra debate,
refreshingly shedding light on some of the cliches of copyright,
and alerting readers to the extra-legal factors that cannot be
ignored in any socially-embedded study of copyright' - Stuart
Hannabuss, Aberdeen Business School 'Bootlegging is a smart,
provocative and highly readable analysis of the high theory and low
practices of music copyright and its transgressors. It is most
refreshing to read a sociological analysis of a topic usually left
to lawyers and industry apologists. An essential book for anyone
who wants to understand the contemporary music industry' Simon
Frith - Professor of Film and Media Studies, University of
Stirling. Bootlegs - live concert recordings or studio outtakes
reproduced without the permission of the rights holder - hold a
prominent position in the pantheon of popular music. They are also
much misrepresented and this fascinating book constitutes the first
full length academic treatment of the subject. By examining the
centrality of Romantic authorship to both copyright and the music
industry, the author highlights the mutual dependence of capitalism
and Romanticism, which situates the individual as the key creative
force while challenging the commodification of art and self.
Marshall reveals how the desire for bootlegs is driven by the same
ideals of authenticity employed by the legitimate industry in its
copyright rhetoric and practice and demonstrates how bootlegs exist
as an antagonistic but necessary component of an industry that does
much to prevent them. This book will be of great interest to
researchers and students in the sociology of culture, social
theory, cultural studies and law.
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