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Mind, Key to Music Composition of Tibetan Buddhist Phet Singing (Paperback)
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Mind, Key to Music Composition of Tibetan Buddhist Phet Singing (Paperback)
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This study examines a type of Tibetan Buddhist vocal music,
dbyangs, with specific emphasis on phet singing in chod dbyangs of
Kagyu sect. Chapter I outlines the scope of the study, overview of
few previous related studies, goal of the study and research
methods. Chapter II introduces the general philosophy of Tibetan
Buddhism. General discussion about the origin, occasions, theory
and musical characteristics of dbyangs appear in chapter III.
Chapter IV provides an overview of chod practice regarding its
origin, philosophy, functions, texts, and meaning of phet. Chapter
V analyzes the musical attributes of phet based on the selected
criteria in each example. It also compares the musical patterns and
features among the three samples. Chapter VI looks at the aspects
that construct the musical phenomena of phet and their similarities
and differences among the three samples. As a conclusion, Chapter
VII intends to show the connection between music and human
perception, cognition and motivation. There is no pre-set tune or
musical composition for chod dbyangs, including phet singing. This
study aims to understand the musical phenomena of phet and the
factors that shape it.
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