The boxer stands alongside the cowboy, the gangster, and the
detective as a character that shaped America's ideas of manhood.
"Knockout: The Boxer and Boxing in American Cinema" is the first
book-length study of the Hollywood boxing film, a popular movie
entertainment since the 1930s, that includes such classics as
"Million Dollar Baby, Rocky, " and "Raging Bull." Leger Grindon
relates the Hollywood boxing film to the literature of Jack London,
Ernest Hemingway, and Clifford Odets; the influence of ring
champions, particularly Joe Louis and Muhammad Ali; and
controversies surrounding masculinity, race, and sports.
"Knockout" breaks new ground in film genre study by focusing on
the fundamental dramatic conflicts uniting both documentary and
fictional films with compelling social concerns. The boxing film
portrays more than the rise and fall of a champion; it exposes the
body in order to reveal the spirit. Not simply a brute, the screen
boxer dramatizes conflicts and aspirations central to an American
audience's experience. This book features chapters on the
conventions of the boxing film, the history of the genre and its
relationship to famous ring champions, and self-contained
treatments of thirty-two individual films including a chapter
devoted to "Raging Bull."
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!