This book deals with the broader theoretical and philosophical
context of the performance art in former Yugoslavia, focusing on
more than three decades of politically engaged performance activity
of the Montazstroj group. Their activity is only a starting point
for a deeper analysis of some of the key-notions of contemporary
"art-ivism" in a much broader post-political and globalized context
before, during, and after Yugoslavia and its Socialist paradigm
collapsed. The author analyzes and sets notions of agonism,
engagement, terrorism, post-war trauma, political populism, social
Darwinism, participation and publicness, and the public sphere into
different theoretical matrixes.
General
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