These classic studies on the interpretation of images are essential
reading for all students of Renaissance art; they also take their
rightful place as seminal texts that have themselves helped to
shape the evolving discipline of art history. Many of the essays
focus on the greatest artists of the Renaissance -- notably
Botticelli, Leonardo, Raphael and Michelangelo -- and all reflect
the author's deep and abiding concern with standards, values and
problems of method. Yet Gombrich never loses sight of the works of
art he is investigating, and he brings to all his analyses and
interpretations an original and powerful intelligence, unfailing
clarity of expression and immense learning.
These four volumes have a permanent value and represent a
vitally important humanistic tradition in scholarship and
criticism.
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