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The Grimace of Macho Raton - Artisans, Identity, and Nation in Late-Twentieth-Century Western Nicaragua (Paperback)
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The Grimace of Macho Raton - Artisans, Identity, and Nation in Late-Twentieth-Century Western Nicaragua (Paperback)
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In this creative ethnography Les W. Field challenges a
post-Sandinista national conception of identity, one that threatens
to constrict the future of subaltern Nicaraguans. Drawing on the
works and words of artisans and artisanas, Indians, and mestizos,
Field critiques the national ideology of ethnic homogeneity and
analyzes the new forms of social movement that have distinguished
late-twentieth-century Nicaragua. As a framework for these analytic
discussions, Field uses the colonial-era play "El Gueguence o Macho
Raton "and the literature relating to it.
Elite appropriations of "El Gueguence "construe it as an allegory
of mestizo national identity in which mestizaje is defined as the
production of a national majority of ethnically bounded non-Indians
in active collaboration with the state. By contrast, Field
interprets the play as a parable of cultural history and not a
declaration of cultural identity, a scatological reflection on
power and the state, and an evocation of collective loss and humor
broadly associated with the national experience of disempowered
social groups. By engaging with those most intimately involved in
the performance of the play--and by including essays by some of
these artisans--Field shows how "El Gueguence "tells a story about
the passing of time, the absurdity of authority, and the
contradictions of coping with inheritances of the past. Refusing
essentialist notions of what it means to be Indian or artisan,
Field explains the reemergence of politicized indigenous identity
in western Nicaragua and relates this to the longer history of
artisan political organization. Parting ways with many scholars who
associate the notion of mestizaje with identity loss and hegemony,
Field emphasizes its creative,
productive, and insightful meanings. With an emphasis on the
particular struggles of women artisans, he explores the reasons why
forms of collective identity have posed various kinds of
predicaments for this marginalized class of western
Nicaraguans.
This book will appeal to readers beyond the field of Latin
American anthropology, including students and scholars of
literature, intellectual history, women's studies, and the politics
of ethnicity."
"
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