This thesis explores the continuing aesthetic, philosophical, and
social influences of Romantic and Modernist poetics. I trace the
influence of Romanticism and Modernism as one that allows for a
medium of expression that more clearly interprets both the act of
reading and writing. These artistic periods and styles mutually
serve to establish and validate enlightened ways of thinking that
are currently lacking in the present day. I look to the poetry,
philosophy, and prophecy of artists from both eras as they fuse and
diffuse demonstrating the unique points of connection and
disconnection for each of the poets whose texts are analyzed. The
poets included in this inquiry into modes of thought that are
explored and revealed during these two periods are: Schlegel,
Blake, Coleridge, Hulme, Eliot, and H.D. I use this unique, and
perhaps unexpected blend, to demonstrate how it is both the
likenesses and differences in each of these poets' aesthetics that
render them equally reflective of enlightened thought. The idea
that the individual is and remains whole, while also reaching for
unity with a greater more infinite whole affects all these writers.
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