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How the Soviet Man Was Unmade - Cultural Fantasy and Male Subjectivity Under Stalin (Paperback) Loot Price: R1,520
Discovery Miles 15 200
How the Soviet Man Was Unmade - Cultural Fantasy and Male Subjectivity Under Stalin (Paperback): Lilya Kaganovsky

How the Soviet Man Was Unmade - Cultural Fantasy and Male Subjectivity Under Stalin (Paperback)

Lilya Kaganovsky

Series: Pitt Series in Russian and East European Studies

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Loot Price R1,520 Discovery Miles 15 200 | Repayment Terms: R142 pm x 12*

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In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, an inversion of Stalin's New Man.In ""How the Soviet Man Was Unmade"", Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was ""full of heroes,"" a man could only truly distinguish himself and attain hero status through bodily sacrifice - yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (""How Steel Was Tempered"") and Boris Polevoi (""A Story About a Real Man""), and films such as Ivan Pyr'ev's ""The Party Card"", Eduard Pentslin's ""The Fighter Pilots"", and Mikhail Chiaureli's ""The Fall of Berlin"", among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

General

Imprint: University of Pittsburgh Press
Country of origin: United States
Series: Pitt Series in Russian and East European Studies
Release date: August 2008
First published: June 2008
Authors: Lilya Kaganovsky
Dimensions: 229 x 152 x 18mm (L x W x T)
Format: Paperback
Pages: 256
ISBN-13: 978-0-8229-5993-9
Categories: Books > Arts & Architecture > General
Books > Social sciences > General
LSN: 0-8229-5993-3
Barcode: 9780822959939

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