Scandinavia's foremost living auteur and the catalyst of the
Dogme95 movement, Lars von Trier is arguably world cinema's most
confrontational and polarizing figure. Willfully devastating
audiences, he takes risks few filmmakers would conceive, mounting
projects that somehow transcend the grand follies they narrowly
miss becoming. Challenging conventional limitations and imposing
his own rules, he restlessly reinvents the film language. The
Danish director has therefore cultivated an insistently
transnational cinema, taking inspiration from sources that range
from the European avant-garde to American genre films. This volume
provides a stimulating overview of Trier's career while focusing on
the more recent work, including his controversial Gold Heart
Trilogy ("Breaking the Waves, The Idiots, " and "Dancer in the
Dark"), the as-yet unfinished USA Trilogy ("Dogville" and
"Manderlay"), and individual projects such as the comedy "The Boss
of It All" and the incendiary horror psychodrama "Antichrist."
Closely analyzing the films and their contexts, Linda Badley draws
on a range of cultural references and critical approaches,
including genre, gender, and cultural studies, performance theory,
and trauma culture. Two revealing interviews that Trier granted
during crucial stages of "Antichrist"'s development are also
included.
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