This book argues that adaptation is an underrecognized yet
constitutive element of Nordic noir. In so doing, it reframes the
prevailing critical view. Now celebrated for its global sweep,
Nordic noir is equally a transmedial phenomenon. Nordic Noir,
Adaptation, Appropriation deploys the tools of current adaptation
studies to undertake a wide-ranging transcultural, intermedial
exploration, adding an important new layer to the rich scholarship
that has arisen around Nordic noir in recent years.
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