How does a girl from Grundy, Virginia, become a successful
writer? The interviews and profiles in Conversations with Lee Smith
tell the story of one woman's discovery of her coal-mining hometown
as a potential "literary place.""
In this first book of interviews with Smith, she revels in
character and sense of place as cornerstones to her art. "What
interests me most in writing are the characters," she says. "I have
a lot of trouble thinking of plots, but I love to create the
people. I think a person that you create is coming out of some
aspect of yourself."
Smith's career spans three decades-beginning in 1968 with the
publication of "The Last Day the Dog Bushes Bloomed"-and includes
ten novels, three collections of stories, one novella, and numerous
essays, nearly all of which, since 1980, have focused on her native
Appalachia.
It is through conversation with others that Lee Smith (b. 1944)
lives and breathes. Social to the core, defined by her love of
talk, her penchant for a story, Smith-like her most memorable
storytelling characters, from Granny Younger to Ivy Rowe-comes
alive through her own voice. Reading a conversation with Smith is
like sitting on the porch with your first cousin, all the old
stories tumbling out in a rush.
In interviews, Smith tells why we hear echoes of the novelist's
life in Crystal Spangler, the main character in Black Mountain
Breakdown (1980), who is literally immobilized by her passivity.
While Smith's own story in no way resembles the particulars of
Crystal's, Smith reveals in these interviews her own struggle with
the assigned gender roles of her region.
Forthright and direct, Smith traces the arc of her career as she
talks. In research she conducted for her breakthrough novel "Oral
History" (1983), Smith discovered that the power of her voice lay
at home. In "Fair and Tender Ladies" (1988), Smith created the
remarkable Ivy Rowe at a time when she herself personally needed a
strong role model. Smith then moved on to "The Devil's Dream"
(1992), a multigenerational tale of the evolution from traditional
mountain music to commercialized country music. Just as Smith
herself found her voice as a writer when she went home to her
mountain roots, so too Katie Cocker-the Dolly Parton-type star of
the novel-reconnects with her mountain heritage.
As she talks about these novels and her other works of fiction,
Smith beckons us to come close and listen and joins her characters
as a strong Appalachian woman in her own right.
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