Analyzing a range of South African and West African films
inspired by African and non-African literature, Lindiwe Dovey
identifies a specific trend in contemporary African filmmaking-one
in which filmmakers are using the embodied audiovisual medium of
film to offer a critique of physical and psychological violence.
Against a detailed history of the medium's savage introduction and
exploitation by colonial powers in two very different African
contexts, Dovey examines the complex ways in which African
filmmakers are preserving, mediating, and critiquing their own
cultures while seeking a united vision of the future. More than
merely representing socio-cultural realities in Africa, these films
engage with issues of colonialism and postcolonialism, "updating"
both the history and the literature they adapt to address
contemporary audiences in Africa and elsewhere. Through this
deliberate and radical re-historicization of texts and realities,
Dovey argues that African filmmakers have developed a method of
filmmaking that is altogether distinct from European and American
forms of adaptation.
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