Recurring to the governing idea of her 2005 study Shakespeare on
the Edge, Lisa Hopkins expands the parameters of her investigation
beyond England to include the Continent, and beyond Shakespeare to
include a number of dramatists ranging from Christopher Marlowe to
John Ford. Hopkins also expands her notion of liminality to explore
not only geographical borders, but also the intersection of the
material and the spiritual more generally, tracing the contours of
the edge which each inhabits. Making a journey of its own by
starting from the most literally liminal of physical structures,
walls, and ending with the wholly invisible and intangible, the
idea of the divine, this book plots the many and various ways in
which, for the Renaissance imagination, metaphysical overtones
accrued to the physically liminal.
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