In an ancient account of painting's origins, a woman traces the
shadow of her departing lover on the wall in an act that
anticipates future grief and commemoration. Lisa Saltzman shows
here that nearly two thousand years after this story was first
told, contemporary artists are returning to similar strategies of
remembrance, ranging from vaudevillian silhouettes and sepulchral
casts to incinerated architectures and ghostly processions.
Exploring these artists' work, Saltzman demonstrates that their
methods have now eclipsed painting and traditional sculpture as
preeminent forms of visual representation. She pays particular
attention to the groundbreaking art of Krzysztof Wodiczko, who is
known for his projections of historical subjects; Kara Walker, who
creates powerful silhouetted images of racial violence in American
history; and Rachel Whiteread, whose work centers on making casts
of empty interior spaces. Each of the artists Saltzman discusses is
struggling with the roles that history and memory have come to play
in an age when any historical statement is subject to question and
doubt. In identifying this new and powerful movement, she provides
a framework for understanding the art of our time.
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Release date: |
October 2006 |
First published: |
October 2006 |
Authors: |
Lisa Saltzman
|
Dimensions: |
236 x 153 x 14mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
128 |
Edition: |
Annotated edition |
ISBN-13: |
978-0-226-73407-1 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
Promotions
|
LSN: |
0-226-73407-2 |
Barcode: |
9780226734071 |
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