Featuring contributions by established and upcoming scholars,
Shakespeare and the Translation of Identity in Early Modern England
explores the ways in which Shakespearean texts engage in the social
and cultural politics of sixteenth- and early seventeenth-century
translation practices. Framed by the editor's introduction and an
Afterword by Ton Hoenselaars, the authors in this collection offer
new perspectives on translation and the fashioning of religious,
national and gendered identities in A Midsummer Night's Dream,
Hamlet, Macbeth, Coriolanus, and The Tempest.
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