Ranging from the works of Shakespeare, Spenser, Jonson and Milton
to those of Robert Southwell and Anna Trapnel, this groundbreaking
study explores the conscious use of archaic style by the poets and
dramatists between 1590 and 1674. It focuses on the wide-ranging,
complex and self-conscious uses of archaic linguistic and poetic
style, analysing the uses to which writers put literary style in
order to re-embody and reshape the past. Munro brings together
scholarly conversations on temporality, memory and historiography,
on the relationships between medieval and early modern literary
cultures, on the workings of dramatic and poetic style, and on
national history and identity. Neither pure anachronism nor pure
nostalgia, the attempts of writers to reconstruct outmoded styles
within their own works reveal a largely untold story about the
workings of literary influence and tradition, the interactions
between past and present, and the uncertain contours of English
nationhood.
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