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Chants, Hypertext, and Prosulas - Re-texting the Proper of the Mass in Beneventan Manuscripts (Hardcover)
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Chants, Hypertext, and Prosulas - Re-texting the Proper of the Mass in Beneventan Manuscripts (Hardcover)
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The liturgical chant sung in the churches of Southern Italy between
the ninth and thirteenth centuries reflects the multiculturalism of
a territory in which Romans, Franks, Lombards, Byzantines, Normans,
Jews, and Muslims were all present with various titles and
political roles. Chants, Hypertext, and Prosulas examines a
specific genre, the prosulas that were composed to embellish and
expand pre-existing liturgical chants. Widespread in medieval
Europe, prosulas were highly cultivated in southern Italy,
especially by the nuns, monks, and clerics of the city of
Benevento. These texts shed light on the creativity of local
cantors to provide new meanings to the liturgy in accordance with
contemporary waves of religious spirituality, and to experiment
with a novel musical style in which a syllabic setting is paired
with the free-flowing melody of the parent chant. In their
representing an epistemological 'beyond', and in their
interconnectedness with the parent chant, these prosulas can be
likened to modern hypertexts. In this book, author Luisa Nardini
presents the first comprehensive study to integrate textual and
musical analyses of liturgical prosulas as they were recorded in
Beneventan manuscripts. Discussing general features of prosulas in
southern Italy and their relation to contemporary liturgical genres
(e.g., tropes, sequences, hymns), Nardini firmly situates
Beneventan prosulas within the broader context of European musical
history. An invaluable reference for the field, Chants, Hypertext,
and Prosulas provides a new understanding of the phonetic and
morphological transformations of the Latin language in medieval
Italy, and clarifies the use of perennially puzzling features of
Beneventan notation.
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