"Europe and Love in Cinema" explores the relationship between
love and Europeanness in a wide range of films from the 1920s to
the present. A critical look at the manner in which love--in its
broadest sense--is portrayed in cinema from across Europe and the
United States, this volume exposes constructed notions of
"Europeanness" that both set Europe apart and define some parts of
it as more "European" than others. Through the international
distribution process, these films in turn engage with ideas of
Europe from both outside and within, while some, treated
extensively in this volume, even offer alternative models of love.
A bracing collection of essays from top film scholars, "Europe and
Love in Cinema" demonstrates the centrality of desire to film
narrative and explores multiple models of love within Europe's
frontiers.
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