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Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900

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Latin Blackness in Parisian Visual Culture, 1852-1932 (Hardcover) Loot Price: R3,577
Discovery Miles 35 770
Latin Blackness in Parisian Visual Culture, 1852-1932 (Hardcover): Lyneise E. Williams

Latin Blackness in Parisian Visual Culture, 1852-1932 (Hardcover)

Lyneise E. Williams

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Loot Price R3,577 Discovery Miles 35 770 | Repayment Terms: R335 pm x 12*

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Latin Blackness in Parisian Visual Culture, 1852-1932 examines an understudied visual language used to portray Latin Americans in mid-19th to early 20th-century Parisian popular visual media. The term 'Latinize' is introduced to connect France's early 19th-century endeavors to create "Latin America," an expansion of the French empire into the Latin-language based Spanish and Portuguese Americas, to its perception of this population. Latin-American elites traveler to Paris in the 1840s from their newly independent nations were denigrated in representations rather than depicted as equals in a developing global economy. Darkened skin, etched onto images of Latin Americans of European descent mitigated their ability to claim the privileges of their ancestral heritage. Whitened skin, among other codes, imposed on turn-of-the-20th-century Black Latin Americans in Paris tempered their Blackness and rendered them relatively assimilatable compared to colonial Africans, Blacks from the Caribbean, and African Americans. After identifying mid-to-late 19th-century Latinizing codes, the study focuses on shifts in latinizing visuality between 1890-1933 in three case studies: the depictions of popular Cuban circus entertainer Chocolat; representations of Panamanian World Bantamweight Champion boxer Alfonso Teofilo Brown; and paintings of Black Uruguayans executed by Pedro Figari, a Uruguayan artist, during his residence in Paris between 1925-1933.

General

Imprint: Bloomsbury Visual Arts
Country of origin: United Kingdom
Release date: February 2019
Authors: Lyneise E. Williams (Associate Professor of Art History)
Dimensions: 229 x 152 x 21mm (L x W x T)
Format: Hardcover
Pages: 232
ISBN-13: 978-1-5013-3235-7
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Social sciences > Sociology, social studies > Ethnic studies > Multicultural studies > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Human figures depicted in art > General
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LSN: 1-5013-3235-X
Barcode: 9781501332357

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