This persuasive book analyses the complex, often violent
connections between body and voice in Ovid's Metamorphoses and
narrative, lyric and dramatic works by Petrarch, Marston and
Shakespeare. Lynn Enterline describes the foundational yet often
disruptive force that Ovidian rhetoric exerts on early modern
poetry, particularly on representations of the self, the body and
erotic life. Paying close attention to the trope of the female
voice in the Metamorphoses, as well as early modern attempts at
transgendered ventriloquism that are indebted to Ovid's work, she
argues that Ovid's rhetoric of the body profoundly challenges
Renaissance representations of authorship as well as conceptions
about the difference between male and female experience. This
vividly original book makes a vital contribution to the study of
Ovid's presence in Renaissance literature.
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